Why are people in the Marvel Universe more upset about mutants than any other metahumans there?

On the Scifi.stackexchange someone posits a question after watching this video of the Honest Trailers series on the X-Men trilogy. His question reads:

“As CinemaSins snarkily wisely noted in “Honest Trailers – X-Men Trilogy“:

In the world where people cheer the Fantastic Four, Avengers, Spider-Man, those same people will inexplicably hate the X-Men.

Why is that so? As far as I know, all these superheroes exist in the same exact comic universe, yet X-Men seem to always be significantly more disliked.”

While the most popular answer from the Stack article answers the question from the rarefied air of intellectualism, saying

“It’s the tyranny of evolution. Sooner or later, you have a species that will have a genetic or technological advantage and that species will always conquer a species without that advantage. Carthage, the triumph of the Homo sapiens over the Neanderthal showed us that. Now what do we have? We have Homo superior versus Homo sapiens. On a level playing field, Homo superior wins every time.

That is a quote by the character Wade in season 4 of Babylon 5, explaining why he believed all telepaths in that universe needed to be either murdered or enslaved for use by “normals” (homo sapiens). The same guidelines clearly apply in the Marvel Universe.”

I posted a link so you can read the entire article at your leisure.

However, I disagreed strongly with this answer.

It is unlikely my answer will gain any traction because his is a rather easy to understand perspective but I posted my own answer by trying to look at the problem differently.

Rather than approaching it from a purely intellectual perspective, I tried to see the problem from the perspective of a person living in the Marvel Universe rather than from the viewpoint of a person looking at the Marvel Universe from the outside.

Why Fear the Mutant?

There are factors which play into the fear of mutants more than most metahumans from the perspective from a person living in the Marvel Universe.

Uncertainty

A person living in the Marvel Universe has a life very different from yours and mine. His world is an uncertain one.

  • One day Mr. Average is on his way to work and there is suddenly an invasion of Kree warriors bent on battling the Avengers right on the freeway he’s driving over. The battle ties up traffic for hours, costing him money and prestige at his job. Hundreds of people are injured in the collateral damage of buildings and cars being destroyed. (See: Kree-Skrull War)
  • A month later, after they managed to repair the bridge, the Mole man ventures up from his subterranean lair and battles the Fantastic Four. Mr. Average’s car is destroyed as one of the Mole Man’s monsters trudges through the city before being put down by Ben Grimm. Hundreds of people are injured or even killed. (See: Fantastic Four #1, 1962)
  • Three months after that Mr. Average, riding the bus to work now, finds his bus under attack as a powerful and hidden mutant is riding the bus with him, in disguise. Mr. Average escapes with a few burns and a deep abiding fear of giant robots which randomly attack buses full of normal people to reach “dangerous” mutants. (See: Master Mold, X-men #16, 1962)

Mass Hysteria

  • Every day after each attack news pundits like J. Jonah Jameson espouse about the dangers of mutants, Spider-Man and superheroes in general. But mutants catch special flack because they could be anyone. You. Your neighbors, the person on the bus next to you could be a mutant.
  • Look how powerful hysteria is on our modern Earth when the random threat of terrorism is used to manipulate how people feel about other HUMANS. We created the Patriot Act, we dropped bombs on foreign countries for the FEAR of terrorism. The single act of the destruction of the World Trade Center over a decade ago STILL has people in the grip of fear.
  • Now imagine you had events like this happening every year, some of them, not all of them are due to the mysterious mutants living among us, with fantastic powers capable of wiping out all of humanity with the blink of an eye, (so the news media sells it, no matter that it in the case of certain mutants is actually TRUE).

A Legitimate Fear of Incredible Power

As an individual without fantastic powers and a need to go to work, protect your family, pay your taxes, be a decent individual and maintain a role in society, the very fact that you may feel insignificant compared to the mutant superbeing carrying away the stadium you were hoping to watch tonight’s baseball game in undermines your self esteem, hell, your very sanity as you see the impossible being done before your very eyes.

  • Imagine Mr. Average learns the person carrying away your stadium is a mutant, a being who was born this way and whose probably manifested as a teenager. He has a twelve year old daughter and a ten year old son. Could this happen to him? Is it possible that his children could have this mutant gene you hear so much misinformation about?
  • What about that town that was blown off the map out there when those Young Warriors fought that criminal Nitro? Everyone was killed. Could that happen here? Should mutants and superbeings be registered? (See: Civil War)
  • Maybe Strucker has the right idea. Maybe the best thing that could happen is we kill all the mutants before they take over the world. (Not knowing that it has already happened more than once and been reversed; See: House of M). Being an ordinary human in this world would be a terrifying experience akin to living in a warzone where you had no options but to run and hide whenever anything happened.

We Have Seen the Enemy…

Why do mutants have it worse than the rest of the metahuman community?

  • Most of the metahuman community makes an effort to be seen as being on the same side as normal humans. At least some of them have been revealed to be normal humans (Tony Stark, Hawkeye, Black Widow) resemble normal humans (Thor) or were once normal humans (the Hulk).
  • But mutants were born this way, their appearances vary wildly, along with their powers, many in learning to control their powers, harm innocents and even if they become “good” mutants have blood on their hands. When they are evil mutants, they seem to relish their powers and kill without reservation. There are reports (however unreliable) that more mutants are being born every day.

What is a normal man to do in a world where the uncertainty of his very existence depends on a very thin line of metahumans to protect him from the ever-growing menace of mutant power on an Earth in an ever-expanding hostile universe of threats? Aliens, gods, intelligent machines are terrifying but they are the Other.

Mutants? They are us. And they are everywhere. 

Captain America, Winter Soldier (spoiler-free review)

Captain America - Winter Soldier

by Brandon Easton

Saw CAPTAIN AMERICA 2: THE WINTER SOLDIER last night and really have nothing bad to say at all. There were a few issues with story logic but outside of minor nitpicks, I’d have to say this is AS good as THE AVENGERS and definitely the best “solo” MCU movie to date. (MINOR SPOILERS)

The best way to describe this movie is “balanced.” It achieved an almost perfect balance between comic book-style action, humor, character development and story sophistication. Taking a page from the Robert Ludlum/Tom Clancy school of 1970s-era Cold War espionage pop culture storytelling, The Winter Soldier (at the VERY least) establishes a formula for Marvel Studios that if used repeatedly, should guarantee the cinematic dominance of Marvel IPs for the next generation.

Expertly adapted from the critically-acclaimed, award-winning “Captain America” comics series run from writer Ed Brubaker – the movie takes the source material very seriously (and as a side note, if you haven’t read the story this is based on, I would strongly suggest you do so immediately) – and spins the direction of the entire Marvel Cinematic Universe to a place no fan could have imagined.

What carries this film are the performances from the core cast – Chris Evans has grown on me as an actor and it is somewhat disappointing to learn that he wants to retire from the role when his contract expires – but Scarlett Johanssen, Anthony Mackie, Robert Redford and Sam Jackson turn in strong, somber moments that propel this beyond the pulp trappings of Thor and the last two Iron Man films. The actors seem much more relaxed than in Avengers and it feels like they’ve been given more freedom to explore the characters and not worry so much about corporate blowback from Marvel Studios or their parent company Disney. Evans has great chemistry with Mackie, Jackson, Redford and Johansson and all their scenes feel natural with the right amount of dread when necessary and levity when you least expect it.

The identity of the “Winter Solider” is not a shock to anyone who’s read the comic books or paid attention to all the press releases from Marvel Entertainment, yet, we all sat there waiting for the big reveal of Bucky as the Soldier, experimented on by Arnim Zola to be the Nazi/Hydra version of Captain America.

The fallout of the super conspiracy within the Marvel Universe and what this means for AVENGERS: AGE OF ULTRON and Captain America 3 is just plain awesome. This movie pushes Captain America from being a B-level punchline in the pantheon of costumed heroes to a legitimate superhero in the eyes of the (non-comic-book-reading) audience. The story unfurls at just the right pace – when the character development reaches its apex, then a massive-action-set-piece drops into the script. To continue on this point – Marvel Studios has basically trashed the convenient existence of S.H.I.E.L.D. (and this makes me wonder what this means for the TV series AoS?) – and created a new, more dangerous, less predictable and an altogether shadowy status quo – sort of like a combination of the gritty-post-Mike Zeck PUNISHER 1980s Marvel Universe and Ed Brubaker’s vision of the spy-comic 2000s Marvel Universe.

As a longtime viewer of comic book movies, it was nice to see well-choreographed fight sequences using real-world martial arts. That, I think, represents the mindset of the filmmakers: inject just enough “reality” into the movie to grab the attention of even the most ardent anti-comic book moviegoer and then dazzle them with incredible stunts and the trademark big Marvel-finale.

The diversification of the Marvel heroes on screen is important for the continued growth of the brand and to capture younger viewers of all backgrounds. With the exception of Blade, Anthony Mackie’s Falcon was the first Black superhero featured in a Marvel Comics movie (Sam Jackson as Nick Fury doesn’t count, and neither does Idris Elba in Thor). The exploration of Black Widow’s background and character motivation is just enough to whet our appetites for the eventual Black Widow movie (and after her performance here, I’m certain Scarlett Johansson can carry an action movie on her own – as we shall see this summer in the Luc Besson-produced LUCY). One other thing – I never understood why everyone thought she was “hot” but after this movie – wow, she really is a beautiful woman.

For all the excellent things I have to say about the actors and the setting, the core element that holds this movie together is the amazing screenplay. It would have been easy to tell another Avengers-style caper but the level of restraint and constant references to Marvel Comics, 1970s-spy thrillers, PULP FICTION (the best meta-reference in movie history), COMMUNITY (yes, Abed shows up) and past Marvel movies makes this something special.

I enjoyed every second of Captain America 2: The Winter Solider. From the introduction of Batroc, to the old school version of Zola, to the well-designed construction of double-crosses (and some were obvious), to the after-credit tie-ins to AGE OF ULTRON, I can’t give a higher recommendation. See this in the theater. The Falcon flight scenes are worth the price of admission.

© Brandon Easton 2014, All Rights Reserved

Brandon Easton