Black Scifi 2012 – Conventions We Know and Love

The State of Black Science Fiction 2012

This is the fourth week of the State of Black Science Fiction Blog hop being done in conjunction with the Black Science Fiction Society and Alicia McCalla. Today we were supposed to talk about the science fiction conventions we like to go to and meet other people who share our interest.

I have been a convention attendee for over twenty years. I have been to CreationCon, ComicCon in San Diego, WonderCon in San Francisco, Star Trek Conventions across the country, and numerous local conventions here in the San Francisco Bay Area such as Pantheacon, Kublacon and my personal favorite, Dundracon.

I have been an active Dundracon participant for more than twenty years. Dundracon started humbly about thirty years ago as a convention for fans of fantasy-roleplaying games such as Advanced Dungeons and Dragons. It blossomed and soon began to include many other forms of fantasy, war-gaming, board games, Live Action Roleplaying, seminars and meetings with the Society for Creative Anachronism or SCA. It has become one of the oldest conventions of its kind in Northern California and has been hosted at the Hyatt in Burlingame for at least a decade every President’s Day weekend.

I have enjoyed Dundracon as a participant, playing a variety of games including my favorites of the Hero Systems Games, Chaosium’s Games (Call of Cthulu, Elric, Stormbringer, and Basic Role-Playing), Cyberpunk 2020 and its cousins, Shadowrun. There are hundreds of these games for four days all Dead President’s Day Weekend from Friday at 6:00 PM till Monday at 6:00 PM. Games are played 24 hours a day until the close of the convention; many people play right up until closing.

For most of those years I was a game master or GM and would run games for other attendees. Being a GM is an honored position of both power and trust. People you don’t know will sign up for your game and for 6-12 hours share in a mutual experience that you will create for them and they will participate in with you. This is the element of conventions that I feel makes them most like writing with a bit of directing and even some acting.

A GM must create a series of scenarios, a story, as it were, and create all of the setttings and potential possibilities for how the story MIGHT flow. He then creates a group of adventurers (the players) who come to the game knowing the rules of HOW to play but not having any idea of what they will be doing beyond a simple one paragraph like this one:

203 Stormy Weather
Type: RPG
System: Cyberpunk 2020
Saturday, 8:00 AM in 149 for 8 hours
GM: Becky Thomas
Characters may be provided by GM
Power Level:
Variations: minor house rules
A Category 5 hurricane will hit Cabo San Lucas in 24 hours. The whole
area is being evacuated, residents and touristas. Your job is a little
counter-corporate espionage. The challenge: stay alive in the
hurricane, avoid the Federales and looters, AND bring back the stolen
data.

The challenge is to have a session where the GM describes the scene, outlines each scenario, and acts out the parts of all the bad guys while the players take on the role of their individual character, working with or sometimes against the goals of the group. The magic happens when a skilled GM finds a group of players who can spontaneously get into their roles well enough that the entire event ends up feeling like a movie. Each person takes on their role, creates their dialog, on the fly, and takes actions that resemble that of heroic adventurers we know and love from cinema and books. Yes, most of the time its goofy, badly done, and easily forgotten, but done right it is as good as anything you have ever read or experienced and because it is not public beyond whoever shows up, can be an shared experience that bonds the group of you together for years.

Make no mistake, playing in a game is tough work. Running a game is tougher. Its akin to writing a novel where characters are completely autonomous and you still have to challenge their decisions and actions, even if they were not what you intended when you wrote the story outline. Often, that is where the fun comes in for the GM. He must be able to change his storyline to deal with creative thinking on the part of his players who might come up with a solution to the problem he didn’t even know could exist. This builds the creative muscle in a way almost nothing else I can think of.

I have been a GM since 1981 when the first versions of Champions and Dungeons and Dragons were published. I have run a series of gaming campaigns that span over a decade with the same and often evolving groups of gamers and we have many shared experiences and late nights running adventures that span a continuum of genres, themes, ideas, stories and game systems. Gaming unfortunately is not an experience done by many People of Color. When I started there might have been one other out of a room of one hundred people. That ratio is much better now and I am often pleased by the increasing number of People of Color and women who are now participating. I remember the arguments about women playing games and how it was thought they would erode the quality of play. That idea is so dead. They are better players and often better GMs as well. Something about how women communicate allows them to see players and story themes that were previously not considered by male GMs, such as storylines involving complex intrigue and dare I say it, romance.

You might think that the lack of People of Color is reflective of a particular discriminatory nature of gaming but and I emphasis this: Nothing could be further from the truth. I have gamed for thirty years across the entire USA and even in the deepest parts of the South, I have almost never experienced anything resembling racist behavior from gamers. I would even be so bold to say, they are often the nicest, most polite people I have ever had the pleasure to talk with. Two random gamers can meet anywhere, find a game they have in common and talk as if they were friends forever. And even if they don’t share any games, the nature of the hobby seems to bring an inquisitive mind, a mind open to new ideas and new possibilities. It is why I believe I have remained involved in the playing side of the industry for so long. I once wrote for the industry, but that is another story.

How does this relate to Blacks in Science Fiction? If you have never played a roleplaying game (RPG) or a tactical board game such as Warhammer 40K, you are missing a hobby that expands the mind, challenges assumptions, considers possibilities, and teaches social skills, negotiation, communication at a number of levels, language, art, design, and done properly can offer a lifetime of benefits able to be translated so they improve your workplace life, your home life and anyplace in between. I have used RPGs as a mentoring tool to give students a chance to roleplay circumstances they may experience in real life, or as an opportunity to think about an event from a more direct point of view. Gaming has been a passion in my life and conventions were the first time I got to meet other people who shared it. If you haven’t done it, you might be missing out.

Since I started all those years ago, I have run games, small personal affairs and large multi-group gaming events. I have spoken at seminars on the best ways to run games, research eras, create maps, talk about the science of science fiction, and help new GMs improve their game play. I can safely say, conventions and I are inextricably linked. Attend a few and you may be too. ComicCon has become a cult phenomenon offering sneak peaks of comics, movies, stars and the dreaded/beloved cosplay. One day when I have had a beer or two I will tell you about my first ComicCon. The horror, the horror…

Thaddeus Howze, Author – is a veteran of the IT and Communications industry with over 26 years of experience retooling computers to best serve human needs. Unknown to humanity, our computers have another agenda. Thaddeus recently released his first collection of short stories, Hayward Reach. In a coded format, he has secretly informed Humanity of the impending computerized apocalypse. You can read parts of the code here: https://ebonstorm.wordpress.com or http://ebonstorm.weebly.com. You can read excerpts and other short stories at Hub City Blues

Part of a series of essays on: The State of Black Science Fiction
Check out the other members of this Online Black History Month Event

Winston Blakely, Artist/Writer – is a Fine Arts/Comic Book artist, having a career spanning 20 years, whose achievements have included working for Valiant Comics and Rich Buckler’s Visage Studios. He is also the creator of Little Miss Strange, the world’s first black alien sorceress and the all- genre anthology entitled – Immortal Fantasy. Both graphic albums are available at Amazon, Barnes and Nobles and other online book store outlets. Visit him: http://blakelyworks.blogspot.com/ or http://blakelyworkstudio.weebly.com/

L. M. Davis, Author – began her love affair with fantasy in the second grade.  Her first novel, Interlopers: A Shifters Novel, was released in 2010, and the follow-up Posers: A Shifters Novel will be released this spring. For more information visit her blog: http://shiftersseries.wordpress.com/ or her website www.shiftersnovelseries.com.

Ja Ja (DjaDja) N Medjay, Author – DjaDja Medjay is the author of The Renpet Sci-Fi Series. Shiatsu Practitioner. Holistic AfroFuturistic Rising in Excellence. http://authordjadja.wordpress.com/ Transmissions from The Future Earth can be found at: www.renpetscifi.com  or on Facebook – www.facebook.com/RenpetSciFiNovel or on Twitter – https://twitter.com/#!/Khonsugo.

Milton Davis, Author – Milton Davis is owner/publisher of MVmedia, LLC . As an author he specializes in science fiction and fantasy and is the author of Meji Book One, Meji Book Two and Changa’s Safari. Visit him: www.mvmediaatl.com and www.wagadu.ning.com.

Margaret Fieland, Author – lives and writes in the suburbs west of Boston, MA with her partner and five dogs. She is one of the Poetic Muselings. Their poetry anthology, Lifelines: http://tinyurl.com/LifelinesPoetry/is available from Amazon.com  Her book, “Relocated,” will be available from MuseItUp Publishing in July, 2012. The Angry Little Boy,” will be published by 4RV publishing in early 2013. You may visit her website, http://www.margaretfieland.com.

Valjeanne Jeffers, Author – is an editor and the author of the SF/fantasy novels: Immortal, Immortal II: The Time of Legend and Immortal III: Stealer of Souls. Her fourth and fifth novels: Immortal IV: Collision of Worlds and The Switch: Clockwork will be released this spring. Visit her at: http://valjeanne.wordpress.com and http://qandvaffordableediting.blogspot.com/

Alicia McCalla, Author – writes for both young adults and adults with her brand of multicultural science fiction, urban fantasy, and futurism. Her debut novel, Breaking Free will be available February 1, 2012. The Breaking Free theme song created by Asante McCalla is available for immediate download on itunes and Amazon. Visit her at: www.aliciamccalla.com

Carole McDonnell, Author – She writes Christian, speculative fiction, and multicultural stories. Her first novel is Wind Follower. Her short fiction has appeared in many anthologies and have been collected in an ebook, Spirit Fruit: Collected Speculative Fiction. Visit Carole: http://carolemcdonnell.blogspot.com/ or http://writersofcolorblogtour.blogspot.com/

Balogun Ojetade, Author – of the bestselling “Afrikan Martial Arts: Discovering the Warrior Within” (non-fiction), “Moses: TheChronicles of Harriet Tubman” (Steampunk) and the feature film, “A Single Link”. Visit him: http://chroniclesofharriet.wordpress.com/

Rasheedah Phillips, Author – is the creator of The AfroFuturist Affair in Philly. She plans to debut her first spec/sci-fic novel Recurrence Plot in Spring 2012. You may catch her ruminating from time to time on her blog, AstroMythoLosophy.com.

Nicole Sconiers, Author – is also a screenwriter living in the sunny jungle of L.A. She holds an MFA in creative writing from Antioch University Los Angeles, and she recently published Escape from Beckyville: Tales of Race, Hair and Rage. Visit her: http://nicolesconiers.com/index.html

Jarvis Sheffield, M.Ed. – is owner & operator of TheDigitalBrothers.com, BlackScienceFictionSociety.com & BlackCommunityEntertainment.com. Visit him: http://www.blacksciencefictionsociety.com/profiles/blog/list?user=2stjwb1h216fd

Black History Month sends the wrong message

Normally I pay as little attention to Black History Month as possible. Why? It sends the wrong message. The message it sends is that for only 28 days of the year, in the shortest month of the year, we will take notice of an unsung group of Americans we do everything in our power to pretend the rest of the year, they do not exist, do not contribute anything viable to the American experience and if they vanished tomorrow, the only thing that would happen is the nation would breathe a collective sigh of relief, before they returned to finding the next cultural boogeyman to vilify.

And that, my friends, is the wrong message.

You see, Black History IS American History. We have been in this nation as long as any group of people to have ever lived here save the Native Americans. We have had as much to do with the establishment of this nation, its agriculture (unfortunately, as slaves of that industry) its transportation (the railroads and exploration of the West) its science, politics, religion, music, sports, entertainment, well, pretty much anything that has been done in this nation has been led by, created with the help of, designed with the support of or simply created from whole cloth by People of Color.

And that does not jibe with the monomyth of White Supremacy and its playmate, Cultural Superiority. America likes to believe it has exported its culture to the world; democracy, fair play, capitalism are all Great American Exports. And in some ways, those things may not have been invented here, but we (Americans) redefined them, repackaged them and now they are desired by the world at large.
But America does not drink the Kool-aid it sells to the world. This is a nation still divided primarily by money. Old money. Money that can trace its ancestry (such as it is) back to the days of Chattel-Agricultural Slavery and the Robber Barons of the American Railroad. For a part of American culture that had such long lived and powerful roots, slavery does not seem to have had any advocates nor beneficiaries, if modern culture is to be believed. No one’s family seems to have benefited from slavery. Nor does anyone know of any families that ever held slaves. “No sir, not me, my family never owned any slaves,” or so the expression goes.

Let’s keep it real folks, many of the Founding Fathers owned slaves. They did it and like many who did, they grew wealthy. So if you want to figure out who held slaves, go back in history and follow the money. Likely, where money has accumulated, slavery or crimes like it held sway to develop that wealth. The old expression goes “You can find out how a man grew wealthy only if you can find the bodies he had to bury to get there.”  Now I don’t hold a grudge. Not a serious one, anyway. Slavery has been a human experience probably since we started walking upright.

The crux of the issue is this: How long can a nation stay divided, by the people in power, who use their wealth and influence to dominate society, to create false divisions (artificial boundaries where people fight over things that objectively have no real value whatsoever) and sow moral dissent in an effort to say in power? I ask this question because I realized that being Black was never going to change for me. I would never wake up one day and be White. So any stigma generated by my blackness, did not come from me. It comes from the person who holds the stigma. So if I find myself unable to find work because of the social conditioning that says: “Black men are lazy, shiftless and do as little as possible for themselves or their families, so you shouldn’t give them jobs…” even if I worked harder than a three-legged man in an ass-kicking contest, the stigma and joblessness stays with me, being reinforced because no one will give me a job, thus perpetuating the myth now becoming reality.

Let me say it again: The stigma is not mine. I did not create it. I did not perpetuate it. I don’t lay it upon me. I am simply forced to bear it. The society that promoted it is at fault for its continued perpetuation.

But let me ask you a question: If this nation were truly as egalitarian, as supportive, as merit driven, as opportunity-oriented as the spin doctors would have you believe, would there be this major political trend toward crushing unions, a thirty year history of purposeful stagnated wages, allowing the rich to grow fabulously wealthy by increasing the price of everything while diminishing your ability to buy it; an education system that has been allowed to grow enfeebled and unable to cope with the rapid pace of technical change in the world today? Would there be an ecological bankruptcy that simply denies that creating billions of automobiles, computers, cell phones, supermarket items, thousands of fast food restaurants where we harvest millions of organisms every year just to feed the developed world and pretend it has no effect on the world or the people living on it? What about drilling holes in the Earth to harvest hydrocarbons whose main purpose is to be sold by the highest bidder to the poorest people just to keep them in a form of economically-driven indentured servitude? What about the fact the American population is slowly growing less mentally capable, whose physical health is continuing to diminish despite having the most sophisticated medical technology in the world, all the while people are less happy, less motivated, more stressed, more suicidal and now have a quality of life that for the first time in fifty years, will not be higher than the previous generation? This is a culture which appears to be slowly self destructing.

How could such a nation exist and call itself enlightened? More over how could such a nation consider itself a paragon in the darkness that is life on Earth?

The answer: It can’t.

So, I have many years ago decided that the system of things being done in the world today are not being done in my name. I refuse to buy anything made in a sweatshop (if I know about it. I endeavor to know.) I wear nothing with a logo or a brand name, because no one is paying me to further their cause before I further my own. (No, I don’t own any iTechnology and I once loved Apple as a company, but their recent behavior has made me question all things computer-related.) I watch as little modern media as possible. It paints a negative image of People of Color, if they even exist at all. I do not watch nor support major sporting teams. If you knew how much money is spent and how little of it goes to the people who make it actually possible, you wouldn’t either. I devote my time to my family, educating myself and my community about what we can do to survive effectively, humanely, and to be a benefit to my world, rather than a drain on it.

You see it is about choice. You can decide you want to spend your life asleep at the wheel, Facebooking (or your social media of choice) your life away, taking pictures of yourself from arm’s length, talking about where you are, and what you are doing, learning about the sleeping habits of the inhabitants of Jersey Shore or the Real Housewives of (insert pitiful city here), or you can go out and learn a new language, meet new people, write a book, teach a person to read, inspire a child to greatness, help an old person who may not get around as well as they used to, volunteer yourself to a cause greater than yourself, read a book and enhance your brain, share that book and maybe you can shape the world.

The Public Good is Dead. It has been replaced by the Corporate Quarterly Report. Everything that matters from the gasoline in your car, to the politicians in your local office is now determined by the power of corporations all over the nation. If it does not expand the next quarter’s profits, it has no value and the human elements of our culture are being replaced by jurisprudence that boggles the mind. See the Citizens United vs. Federal Elections Committee rulings basically giving corporations the power to spend unlimited money on elections. Don’t take my word for it. Read it yourself.

When you get tired of watching corporations turn your world into a steaming pile of shyte, you can decide how to make them go away. Stop buying things you don’t need, to fund a never-ending cycle of boom and bust that only benefits big business, because only they have enough money to bet on both sides of the equation. If there is money to be made, they will make money selling the product, or they will make money cleaning up after the mess. No jail time will be had for any involved. As any of our major banking establishments after the 2008 financial collapse. Over 5000 protesters of the collapse in the Occupy Movement have been to jail. Not a single banker graces a cell yet. Seems equitable and fair, doesn’t it. Stop taking their crap. Stop participating in your own destruction.

So what does this rant have to do with Black History Month? Nothing. Not a damn thing. That is the point. Republicans keep harping on how President Obama is the Welfare President, and we have angry Black Politicians like Representive West in Florida saying that Obama is inflating the numbers for the unemployment of Black Men. And yet we are vilifying people who are on foodstamps which are at an all time high of 41 million people. This nation has political leaders who have done little to help President Obama since he has been in office and this is because he is a Black President. How does this ranting against the president help the nation? How did the promise of the Republican Party to make him a one term president really help anyone? Why would they even say this? It’s a Black thing. Not playing the race card, I am watching the Race Poker Championship and Obama isn’t dealing. He isn’t even wanted at the game.

Yes, I said what no one would dare to say in polite company. The Republicans (and a few Democrats) are obstructing his work, not because it does not meet with politics as we know it, because let’s face it, it does. His ideas, strange as it sounds have been the ideas of his political enemies (sometimes he has been so bold as to offer them things they had asked for a few weeks earlier) but they are too blind with their rage to see it. They will find their rage is directing Obama to a second term because they can’t get over themselves. So I have to laugh because Obama is using their rage to his advantage.

So when I look at Black History Month I have to realize, that the reason its only 28 days long is because the Whites that brought People of Color here all those years ago, did what they did because without People of Color, they would not have been able to be and do the amazing things that have been done in America. The wealth from centuries of paying no wages, has allowed this nation to grow and prosper in ways the founding fathers never realized. And I think strangely enough, only thirty or forty years ago, big business has relearned and reinvented this idea. Corporate America has been heading toward having people work for less and having fewer choices until there is virtually an entire slave caste again. I expect to see a piece of legislation called the Slavery Restoration Act, any day now and I am certain our politicians, back by big corporations, can make a case for it.

But imagine their secret shame when they have to acknowledge every day, that they owe their entire nation to People of Color whose sacrifices they are sanitizing from history every day, has allowed them to come to fabulous wealth and power and influence, but they must spend every day of that existence, every penny of that wealth, lobbying, brainwashing, blinding, controlling and manipulating everyone around them, because if anyone really knew what was being done, they might just tear it all down and replace it with what America said it wanted to be.

Not like the brazen giant of Greek fame
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame,
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of our teeming shore,
Send these, the homeless, tempest-tossed to me,
I lift my lamp beside the golden door!

Every month is Black History Month. Without our ancestors work, yes, the work you could not do, you would have nothing.  Yes, I am talking to you. You know who you are. Without the brilliance of those people, who struggled, who fought, who ran, who lived and died under the lash, your America would not exist. You fear the day we should ever learn of our true power. The power that create George Washington Carver, Harriet Tubman, Emmett Till, Madame Walker, Paul Robeson, Josephine Baker, Muhammad Ali, Martin Luther King, and Malcolm X, Mae Jemison, Micheal Eric Dyson, Octavia Butler, and Neil Degrasse Tyson who managed to overcome despite all of the obstructions placed before them.

What if all People of Color realized of what great stock they are derived from and what they are truly capable of? Our superstars transformed all music, science, mathematics, business, engineering and sports. And they did these things unsupported by the bulk of our community. Each only had a tiny handful of people who nurtured their talent to its ultimate form. Imagine what we could do if we worked collectively together, despite the machinations of the Econo-Socio-political Machine, toward that goal if we just put forth into practice the idea: “that the needs of the many, outweigh the needs of the few or the one.”

Then there would be no need for Black History Month. It would just be History. What a great nation we would truly be.

Goodnight everybody, don’t forget to tip your waitress on the way out.

Is it important to show People of Color in science fiction?

Avery Brooks as Captain Benjamin Sisko, Image Credit: Paramount Pictures

The simple answer to this question is yes. Despite the homo-social tendencies of the science fiction media (books, movies, comics, and television) which are then marketed to sub-cultures, People of Color not only exist but make up the bulk of the human experience, despite what you may see in modern media.

Let’s put this another way. Projected into the future, our modern society would likely be much more colorful than predicted by Gene Rodenberry’s Star Trek with a far greater distribution of People of Color onboard the less politically-correct Enterprise of the Future. And before I get rants from Trekkers (Trekkies), I have much respect for Star Trek. The show at least tried to present people of color somehow making it to the future as something other than a snack for the monster of the week or as space janitors.

If Trek truly represented our modern world thrown forward, we would likely have seen more people of color in command positions, more Indians, more Chinese, simply because, allowing for three hundred years, we would expect much of our current world’s cultural disparity to have been ironed out, replaced with people doing the job because they were capable, not because it was expected we would see only Caucasians in positions of power because they were funding the show, viewing the show, or producing the show. When seen in the light of marketing, Star Trek still promoted the idea of the supremacy of the Caucasian heroic model endemic of modern science fiction. (To be fair, it did improve with age, allowing women to command ships and even to put a Black Man in command. Took nearly three decades, first Star Trek debuts in 1966, Commander Sisko appears on DS9 as a regular in a command role in 1993.)

Cover for Son of Heaven, a book from the Chung Kuo series.

Perhaps if we were to be more honest, the future might look a lot more like a book series called Chung Kuo, that posits an eventual domination of China and other Asian cultures completely taking control of the human experience through both a rigorous development of their human potential and the downfall of a decadent Western Civilization. Truth be told, that, at the moment, seems to be a much more likely model. It is a brilliant series of books to read. (Yes, it was very long, with quite a few characters, but if you like political science fiction, you will love Chung Kuo.)

It is important to show People of Color in our science fiction because we are here. On Earth. Right now.

We did not vanish into obscurity in the past, nor will we disappear from it in the future. Like it or not, the future of the world, much like the past of the world, will be defined by People of Color. The question might really be: Why can’t everyone have an equal opportunity to make it into the future, have an equal opportunity to be heroic or cowardly, genius or idiot, socially well adapted or psychopathic and maladjusted with equal frequency in our media?

We know the real reason already. The Heroic Myth has been co-opted to not allow Heroes of Color. Yes, I said it. What are you going to do about it?

That’s what I thought. Nothing. Ask modern publishers or movie-makers. They reply with:

“It’s too dangerous. They’re not marketable. We won’t be able to sell that. Who ever heard of a powerful Black male superhero. No one would believe it. If you made the lead character, White, I could move that for you. No one wants to read about Heroes of Color. Can you be more black? You can’t sell that here. Mexicans can’t be heroes. Only Asians do kung-fu. Who wants to see a movie about Native Americans? Stereotypes are easier to write about. You have to have a Caucasian on the cover. Movies with all Black casts can’t make back their money. We can only sell movies about native people with a Caucasian lead.”

All sound familiar? Oh, they might not if you haven’t ever tried to do anything with a Person of Color in it. But if you have, you will know the sound of one or all of these refrains.

Listen. Do you hear that sound? It’s the sound you heard when that statue of Lenin was being torn down. It’s the same sound you heard when they tore down the Berlin Wall. The same one you heard in Egypt, and in Greece and in Spain, in 2011. It’s the same one you heard when people Occupied the United States in protest.

You might not be familiar with it. It is the sound of revolution.

It is the sound of people having enough. Their rage with being put on the side of history. People are not condiments. You do not use them to flavor YOUR life. They are not meant to add color to your media, the same way you might add a purple cabbage to your green salad. People of Color are life itself.

Sanaa Latham as Alexa Woods in AVP

Your media may deny it. But Nollywood knows better. So does Bollywood. How are those newspapers selling these days? How about those publishing houses? Comics? The comic and print industries are scrambling like insects during a fumigation. Your model of exclusion is ending. People want to be heard. People want to be acknowledged. People want to be Heroes. People of Color want to live to the end of the movie. The People want to be Seen. Admired. Loved. Respected. Acknowledged. For their contributions, for their histories, for their suffering, for their triumphs, but more than anything for their Humanity.

We are as People of Color, writers of Color, science fiction authors, are fighting to acknowledge we Exist. We will be here in the future, in whatever form that future takes. That the future will depend on us as much as it will depend on (insert Caucasian hero here) to save the day. Hannibal turned the tide of battle, China had a history and culture that has lasted 3000 years unconquered by outside forces, the Mayans created one of the most accurate calendars on Earth, Egypt was one of the greatest hubs of science, trade and commerce on the African continent and the world. Like it the world now depends on the people of Chile to grow food, or the South American nations to protect the Amazon as one of the last storehouses of the world’s bio-diversity. Our future will also depend on People of Color.

People of Color are not an afterthought in the novels of Caucasian writers. We are shaping the world.

There are 800 million people living in the nation of India. There are at least 1000 million (1+billion) people living in China. 500 million living in Africa, 500 million or more in South and Central America. People of Color are not going to go away. As knowledge is democratized, so will opportunity spread. So will innovations, creativity, productivity. One day, the West’s ability to create and dominate the world, may be surpassed in one of these nations. People forget the United States rose to power in a near socio-political vacuum. The world was in a terrible state of repair after World War II, there was no real competition then.

Pay attention. That has ended.

Those nations have recovered. Each of them filled with people who want to see themselves portrayed as heroes. Filled with the same drive and ambition we possessed in the West. See Singapore, Beijing, Taipei, Japan as examples of the masterful harnessing of human potential. The West should be quaking in its cowboy boots. But it won’t. Its belief in Western Superiority is complete and less and less valid in a world filled with motivated People of Color.

Let’s close with a chilling quote from the masters of assimilation: “We are the Borg. Lower your shields and surrender your ships. We will add your biological and technological distinctiveness to our own. Your culture will adapt to service us. Resistance is futile.” This is the future of the West. Cold. Mechanical. Clockwork. We are all cogs in the machine. Know your place. Surrender your individuality. Serve the machine and its hidden masters.

I do not accept this.

People of Color exist despite the pretense in Western media that we do not. And if the West is not careful, it may find history will mark the passing of White Supremacy and its Western pathology of deleting People of color from history with tales of fiction about the Caucasians who could not adapt to the reality of their eventual blending and dissolution back into the melting pot that are People of Color.

We better hope those motivated People of Color where ever they may be find a way to change our future. The world as we know it, is looking pretty grim. We need new thinking to have a future at all.

People of Color, write your revolution. Save our Future. Resistance is never futile. Fight for every word.

Thaddeus Howze Atreides
@ebonstorm (twitter)
@ebonstorm@gmail.com

Thaddeus Howze, Authoris a veteran of the IT and Communications industry with over 26 years of experience retooling computers to best serve human needs. Unknown to humanity, our computers have another agenda. Thaddeus recently released his first collection of short stories, Hayward Reach. In a coded format, he has secretly informed Humanity of the impending computerized apocalypse. You can read parts of the code here: https://ebonstorm.wordpress.com or http://ebonstorm.weebly.com

Part of a series of essays on: The State of Black Science Fiction.
Check out the other members of this Online Black History Month Event

Winston Blakely, Artist/Writer – is a Fine Arts/Comic Book artist, having a career spanning 20 years, whose achievements have included working for Valiant Comics and Rich Buckler’s Visage Studios. He is also the creator of Little Miss Strange, the world’s first black alien sorceress and the all- genre anthology entitled – Immortal Fantasy. Both graphic albums are available at Amazon, Barnes and Nobles and other online book store outlets. Visit him: http://blakelyworks.blogspot.com/ or http://blakelyworkstudio.weebly.com/

L. M. Davis, Author – began her love affair with fantasy in the second grade.  Her first novel, Interlopers: A Shifters Novel, was released in 2010, and the follow-up Posers: A Shifters Novel will be released this spring. For more information visit her blog: http://shiftersseries.wordpress.com/ or her website www.shiftersnovelseries.com.

Milton Davis, Author – Milton Davis is owner/publisher of MVmedia, LLC . As an author he specializes in science fiction and fantasy and is the author of Meji Book One, Meji Book Two and Changa’s Safari. Visit him: www.mvmediaatl.com and www.wagadu.ning.com.

Margaret Fieland, Author – lives and writes in the suburbs west of Boston, MA with her partner and five dogs. She is one of the Poetic Muselings. Their poetry anthology, Lifelines: http://tinyurl.com/LifelinesPoetry/is available from Amazon.com  Her book, “Relocated,” will be available from MuseItUp Publishing in July, 2012. The Angry Little Boy,” will be published by 4RV publishing in early 2013. You may visit her website, http://www.margaretfieland.com.

Valjeanne Jeffers, Author – is an editor and the author of the SF/fantasy novels: Immortal, Immortal II: The Time of Legend and Immortal III: Stealer of Souls. Her fourth and fifth novels: Immortal IV: Collision of Worlds and The Switch: Clockwork will be released this spring. Visit her at: http://valjeanne.wordpress.com and http://qandvaffordableediting.blogspot.com/

Alicia McCalla, Author – writes for both young adults and adults with her brand of multicultural science fiction, urban fantasy, and futurism. Her debut novel, Breaking Free will be available February 1, 2012. The Breaking Free theme song created by Asante McCalla is available for immediate download on itunes and Amazon. Visit her at: www.aliciamccalla.com

Carole McDonnell, Author – She writes Christian, speculative fiction, and multicultural stories. Her first novel is Wind Follower. Her short fiction has appeared in many anthologies and have been collected in an ebook, Spirit Fruit: Collected Speculative Fiction. Visit Carole: http://carolemcdonnell.blogspot.com/ or http://writersofcolorblogtour.blogspot.com/

Balogun Ojetade, Author – of the bestselling “Afrikan Martial Arts: Discovering the Warrior Within” (non-fiction), “Moses: TheChronicles of Harriet Tubman” (Steampunk) and the feature film, “A Single Link”. Visit him: http://chroniclesofharriet.wordpress.com/

Rasheedah Phillips, Author – is the creator of The AfroFuturist Affair in Philly. She plans to debut her first spec/sci-fic novel Recurrence Plot in Spring 2012. You may catch her ruminating from time to time on her blog, AstroMythoLosophy.com.

Nicole Sconiers, Author – is also a screenwriter living in the sunny jungle of L.A. She holds an MFA in creative writing from Antioch University Los Angeles, and she recently published Escape from Beckyville: Tales of Race, Hair and Rage. Visit her: http://nicolesconiers.com/index.html

Jarvis Sheffield, M.Ed. – is owner & operator of TheDigitalBrothers.com, BlackScienceFictionSociety.com & BlackCommunityEntertainment.com. Visit him: http://www.blacksciencefictionsociety.com/profiles/blog/list?user=2stjwb1h216fd


Superhero Diversity: Coming whether you like it or not

Newsrama.com posed the following blog that related to my topic of superheroic identity, diversity and equal treatment in the mainstream comic universes. After having it pointed out to me, I felt the need to address it just a bit more. Here is a taste of the article.

SUPERHERO DIVERSITY

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By Vaneta Rogers
posted: 13 January 2011 04:23 pm ET

There’s no question the world of superhero comics is more diverse than it was 20 years ago, but the effort hasn’t been without struggle.

And despite the best effort of creators and publishers, the most popular characters continue to be a slate of white men.

The best example of the phenomenon is the upcoming Avengers film, where Black Widow will be the one white female Avenger in a team dominated by white male heroes like Thor, Iron Man, Hawkeye, Hulk and Captain America.

But it’s not just an Avengers problem. “If you look at all DC’s major characters, the big seven of the Justice League, they’re all white men with the exception of Wonder Woman, who’s a white gal,” said Judd Winick, who writes for DC Comics. “We don’t really have many people of color who are considered a major character.”

You can read the rest of the article here. I will wait till you get back.

How did we get here?

A young friend of mine asked me “Why are we still having this conversation?” To be honest I had not planned on answering, I felt I made my feeling clear in my earlier post. But I decided that I would try and strip out the vitriol and answer it differently today. So here goes: Why ARE we still having this conversation about diversity in Comics in the year 2011? 135 years after the end of Slavery in the South and 400 years after the arrival of the first African in chains we are still questioning the poor representation of people of color in the mythic realms of superheroes in spandex. We are still talking about it because:

It is more relevant now than ever.

That is why we are still talking about this because the mainstream comic industry is still wrestling with it. They realize their industry is still poorly reflecting an increasing colorful and diverse world. But their readership mostly comprised of white males who buy the bulk of the comics in the US today, would prefer that nothing ever changes. And the industry does not want to do anything that might jeopardize their current income stream.

The reality is this:

The industry will have to take a hit to get ahead. One step back on income while they retool their lineups and as newer readers embrace the lineup, the old guard will have to get in step or find another form of entertainment where the myth of white superiority is still happily being promoted, for the time being. Eventually even that will change, and they will have to let someone else live to the end of the movie. Will Smith has championed that cause in his own movies. We can have and do have potential motivations that are different than expected and that we can bring our own vibrant and energetic nature to the comic industry and the big screen.

BRAVE NEW <economic> WORLD

The Comic Industry is like any other business, they are looking ahead to the future and seeing India and China with their rich cultural heritages and realizing they have no boats in the water in which to move into those markets. Their parent companies are already realizing they will have to do better about embracing diversity if they want to be able to maintain their roles as trend-setters and leaders in this Brave New Economic World (BNEW).

ScreenHunter_1143 May. 25 17.26

What this really means for smaller agencies like independent writers and artists is those mainstream providers are seeking creative talent that can move interesting and powerful characters of color. But this is a moving target, so creating one’s one characters and even companies may be a great move right now, and nurturing that talent is also paramount but I suspect for a percentage of the best and brightest, an opportunity to migrate, translate or inculcate your work into the mainstream universe is nearer than you think.

Brother, you should do for self…

And before anyone attacks me with the standard litany of ‘we don’t need anything from them‘ and ‘we can do it without their help‘, I will agree with you, wholeheartedly. And I recommend we get started immediately to provide positive images of heroes for our children and people who want to see a more diverse view of heroes of color. I posit you this: The comic industry’s success has been fueled by their translation of their heroes from their books to the movie industry. And while the technology is still evolving, it has begun to be good enough to allow characters from the 1940s onward to begin their potential migration to the big screen.

In Summary:

It is in Big Comics best interest to find new talent and nurture it. They may not like it. They may not want it. They may not quite even realize it yet, but as the demographics of the nation continue to evolve, they will have to get into the myth-making business for a more diverse population, or eventually as their markets age out, or lose interest, they may find themselves becoming extinct due to a lack of a new emergent market to move into.

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Where are the powerful black superheroes?

The question was posed “Where are the ‘Omega Class’ superhumans of color in the comic genre? Where is the black Superman? Why isn’t there one?”

This was posed in a debate to question why comic book creators have always claimed that black superheroes were not profitable. (What about Spawn?) They reported the heroes were’t connecting with their audiences. (Black Panther, Black Lightning and The Falcon did okay for 40 years.) Black heroes were too hard to manage economically and this was why they didn’t create a bevy of new heroes with powers capable of matching the great white heroes of comics: Superman, the Hulk, Thor, Iron Man, Wonder Woman, The Silver Surfer, and the Phoenix.

The real answer is complex and fraught with politically-correct terms. But the bottom line is this: in a society designed to create profitable divisions amongst peoples, designed to promote a singular point of view, mediated to ensure a secondary state for anyone not of the dominant class ruling this society, THERE WILL BE NO BLACK SUPERMEN!

The very idea goes against every media promoted stereotype of black men to be seen being and remembered as visibly heroic, becoming role models or being defined in any manner that is positive outside of their currently defined roles of minstrels, entertainers (sports, media entertainment) and servants of the Empire promoting the ultimate status quo of white superiority. This is why when you see black men in media, they are playing sports (showing off their only defined attribute, physical prowess), involved in media (making sales for their corporate masters), or protecting or promoting the interests of their owners (corporate or government leaders).

Otherwise, they are shown in handcuffs, shown in homo-erotic videos promoting money and women over good sense, employment or hard work. They are show in acts of violence against other blacks and of course, against defenseless whites, who without the draconian controls of police forces everywhere would run amok, so their slaying can be reconciled as “justifiable homicides”.

Icon – Milestone Comics’ Superman Analogue – he first appeared in Icon #1 (May 1993), and was created by Dwayne McDuffie and Denys Cowan. The only semi-active Omega-class black superhero whose powers are clearly equal (or even perhaps superior to) Superman. After the DC Reboot of 2011, it is unknown if he and the other Milestone heroes will continue to exist.

Omega-class Superheroes
Such an important idea needs a baseline to reference. The term “Omega-class” was initially associated with mutants (beings with extraordinary physical, mental or spiritual abilities beyond the normal range of human beings) in the Marvel Universe (MU). There is no such associated term within the DC Universe (DCU). If a being’s power is being scaled in the DCU, they are usually scaled against one of its strongest active characters, Superman. There has never been an official reference system to classify superheroes in either the DC or Marvel Universe even though both tried to quantify their heroes with very limited success (anyone remember the Handbook to the Marvel Universe or the Definitive Directory to the DC UniverseSeries? Nuff Said).

A quick rule of thumb is a metahuman that can only affect one person at a time, only some of the time or with some other limitation is a Gamma. They are likely unskilled in the use of their powers or their powers are simply too weak to be a deterrent to the current level of technology. Gammas can be brought down in a variety of ways and overall are not considered a threat, except to the unaware.

If a metahuman can affect one person effectively or larger number of things or people intermittently, then they are a Beta. Betas may be more effective, but can usually be counted with a minimum of force. Most Betas who remain untrained will simply use their powers for personal gain because they are aware of their limitations in comparison to any Alphas who may exist. If no Alpha’s exist, a Beta could be a threat if they orchestrated the circumstances of the power use well.

If a metahuman can use his powers all of the time, in a variety of ways, affecting more than one person at a time, for an extended time, the he or she is likely an Alpha. If a metahuman is able to do extraordinary things completely unable to be replicated by machines or current technology, they are an Alpha. If a metahuman can create things that were never seen before they existed or conceive of things in ways, previously unknown, and do that regularly they are likely an Alpha. In a world without other Alphas, an Alpha is nearly a godlike being depending on how their powers manifest, and how they use them. In our world, Alphas would be conscripted by governments or killed by assassination details, if it was even possible to kill the Alpha. Alphas usually have one or two weaknesses they keep under wraps.

If a metahuman can their powers and effect dozens, hundreds, thousands or in the exercise of your powers affect the lives of millions, you are likely an Omega. If a metahumans powers could conceivably destroy all life on Earth and there is little or nothing that can stop them they are likely an Omega. In the MU, this is the most feared class of metahuman. The DCU is only a little less paranoid about Omega-class beings.

Descriptions of each class

Gamma: Metahumans at this level of ability usually have a single power or capability they are able to manifest. Young mutants in the Marvel Universe fall into this classification. This power may make them capable of performing at a level equal to the physical prowess of the best of the human species or they possess a single power beyond the normal range of human abilities. Often metahumans at this level may have greater abilities but they may lack perfect control or have some other limitation that prevents them from being able to be more effective with their power(s). Marvel’s Alpha Flight storylines discussed Gamma-class metahumans and trained them in their facilities. Most Gamma-class metahumans are unfortunate enough to be killed before their powers can manifest properly, either by the failure of their powers, or through interactions with more powerful beings.

Beta: Metahumans who are Beta-Class tend to have more reliable powers, more effective capabilities and potentially with the proper training or stimulus rise to being an Alpha-class metahuman. In the DCU, the Legion of Superheroes is an example of Beta-Class metahumans actively using their powers in superheroic activities. The Betas who comprise more than 50% of the Legion are in support of a limited number of Alphas and an even occasional Omega in their ranks. Legion examples include: Matter-Eater Lad (able to consume and destroy any form of matter), Dawnstar (has the ability to form a psionic lock on a single target and follow it anywhere, across any distance), Bloc (high-order invulnerability). Many of the Golden Age Heroes, might also be considered Beta Class since their powers, while extraordinary in comparison to normal humans, seem a bit outclassed and out-performed by Modern heroes. Consider the Invaders: The Original Human Torch and Toro (flight, defense aura, fireball throwing), Captain America (indestructible shield, superhuman athletic and combat abilities), Sub-Mariner (flight, superhuman strength and resistance to injury), the Whizzer (superhuman speed and reflexes).

Alpha: Metahumans in the Alpha-class range are the mainstay of Modern comics. These metahumans have a bevy of superhuman capabilities at their command, utilize various technologies, and whose powers can affect an entire city when they are at peak performance. One modern hero today can command as many powers as an entire team of Golden Age metahumans. The list is numerous and can be thought to be the norm when considering a superhuman today. Heroes from the Golden and Silver Ages, if they still operate today, are usually upgraded to Alpha-class performance and power levels (or on occasion, allowed to slip back to Beta-class as they age, showing a reduction in their power levels, compensated by their experience). Most Modern age metahumans have amongst their powers at least two of the following:

  • damage resistance or damage reduction,
  • some level of superhuman strength,
  • advanced sensory awareness,
  • flight or super-fast movement,
  • energy projection or manipulation,
  • increased damage output,
  • increased damage resistance or outright invulnerability (basically proof against nearly all attacks; you can knock them down but never out),
  • telekinesis or other form of molecular or energy base control,
  • advanced mental ability such as telepathy or mental domination.

Example: The X-man codenamed Cyclops (Scott Summers) is a Silver Age, Beta-class hero who has evolved into a Modern age, Alpha-class hero. His single power, his optic blast has grown into a diverse energy power capable of being described as: Energy Projection, increased damage, extreme range, capable of deflection (using his optic blast), indirect attack (bouncing his optic blast off of other substances), precision attack (able to control its strength, duration and amplitude from flipping a coin to destroying a mountain top).

He supplements his physical vulnerability using an armored uniform, hand to hand combat training, and regular intensive combat simulations to hone his skill with his power. As a member of a team engaged in the same intense training and supportive combat systems, their group synergy enables them to be even more effective than their individual power levels would suggest.

Omega: The Omega-class metahuman is the Alpha taken to an extreme. An Omega-level mutant is one with the most powerful genetic potential of their mutant abilities. The term was first seen in the 1986 issue Uncanny X-Men #208, but was completely unexplained (beyond the obvious implication of it referring to an exceptional level of power). The term was not seen again until the 2001 limited series X-Men Forever. Some abilities depicted by mutants described as Omega-level include immortality, extreme manipulation of matter and energy, high levels of psionic ability, strong or extremely versatile telekinetic, or the potential to exist beyond the boundaries of the known physical universe.

No firm definition has been offered in comics. Mutants that have been confirmed as Omega-level include Apocalypse, Jean Grey (telekinetic; user of the Phoenix Force), Vulcan (vast superhuman physical capabilities), Rachel Summers (daughter of alternate timeline Jean Grey), Iceman (cryo-hydro-kinetic), Legion (schizophrenic personalities with vast psionic powers), Proteus (reality-altering psychopathic vampire) and Franklin Richards (reality altering powers). The Omega has either a single power whose diverse usage and extreme power level allows them to perform a variety of feats at a level beyond any single Alpha’s ability; Magneto’s control over magnetism, Charles Xavier’s mental/telepathic prowess are two examples of this type of ability.

The other type of Omega has a wide range of powers that are normally found on entire super-teams and pushed to an obscene limit. Marvel’s Gladiator or the DCU’s Superman are an example of such a metahuman. Super-strength, superhuman levels of speed and reflex time, internal life support (proof against radiation, poison, no need to eat, sleep or excrete), invulnerability, energy project powers, superior senses, and flight. What makes these two Omega-class is their virtually inexhaustible energy supplies. They are able to use their powers at full performance long after Alphas have become exhausted due to strain or fatigue.

There are the occasional non-powered or technologically assisted heroes who can move out of the ranks of the Gamma or Beta class to be considered Alpha-class material due to their preparation, quality of technology, or are simply just so bad-ass they can hold their own against superior metahumans. Bronze Tiger, Black Panther, Captain America, Batman, Green Arrow, Hawkeye, Lady Shiva, the new Batgirl are all unpowered humans whose prowess or skills allow them to interact at a higher level than would initially seem possible given their unpowered state. They will never, however, be considered Omega-class beings without outside intervention such as the introduction of the Uni-power.

Power levels of known Black Superheroes
Now to the question of Black characters with Omega-Class powers or abilities. Since we understand that comics, storytelling and mythology share a common heritage, there are very few examples of heroes of color in general in the mainstream comic universes. Considering the socio-economic and socio-political climate of the United States and media in general this should not surprise anyone. Common excuses for why there are no metahumans of color, let alone, of capability include: lack of interest in comic reading demographic, can’t sell them to distributors, no longevity in the marketplace, no mythic source material able to be exploited or adapted to comic formats.

These are simply excuses, since most heroes of the Golden Age were white because people of color were simply without significant rights during the time when comics were in their infancy (1930s and 1940’s) and likely never developed a taste for them. During the Silver Age, most heroes were adaptations from their Golden Age counterparts with only a few writers willing to risk creating heroes of other races due to the very white, very segregated comic industry of the time. As to the lack of mythic material to be used or adapted from, heroes have always taken their cues from the science or mysteries of the time. Golden Age heroes often had super-science, ancient unknown magics or Oriental mysticism as the source of their abilities.

Modern heroes ply their genetic heritage, alien origins, magical construction, extra-dimension existence or quantum-variant parallel universe origins quite proudly so that is not likely to be the issue, not to mention much of the mythic ideas being recycled today come from ancient cultural myths adapted for modern times. So the real reason is they can’t be bothered with empowering people of color in any form of media, particularly one as likely to alter the consciousness of impressionable youth. And they absolutely cannot or will not have metahumans on the same level as their classic big guns, thereby implying there is a level of parity between people of color and the myth of white superiority. Now that we have that out of the way, let’s get back to the analysis at hand.
In keeping with the traditions of barely allowing people of color to exist in mainstream media, there have only been a few heroes of color at all. Most of them have, unless they have been very fortunate never progressed past the power levels of their origin.

BETA-CLASS EXAMPLES:
Amazing Man (DCU – I, II, III) – he had the ability to take on the characteristics of any material and later any energy. While this power lead to an awesome supervillain in the Marvel Universe (Crusher Creel, the Absorbing Man, who during his 40 year stint has dared to take on the All-father Odin and to tangle with the Mighty Thor on a regular basis) the DCU has never done anything useful, interesting or unusual with the character other than kill him two different times and bring the character back with a different costume and same lame writers. He has always been a complete waste of an awesome power suite.

Black Goliath – Bill Foster (MU): presumed dead, adapted the enlarging aspects of the Pym Particles and growing to immense size and strength but lacking superior damage resistance. The power made you larger, but not invulnerable, so there was simply more of you to hit, with a paltry amount of super strength to boot (10-50 tons depending on who was writing). Not sure what made them think this was a good superpower, by the time Bill Foster got it, its creator Hank Pym (Ant-man, Goliath, Yellowjacket), had already deemed it a failure and moved on so it is a mystery what they thought they could do with it by giving it to Foster. Another case of hand-me-down powers amounting to zip.

Bronze Tiger – (DCU – Suicide Squad): non-superpowered martial artist, arguable one of the best in the DCU, ranked fourth, after Lady Shiva, Green Arrow II and Batman) all things considered, this is a step up for him as a character, but he has never been allowed to shine enough to keep a book or maintain a storyline, though I thought he was brilliant during his time with the Suicide Squad.

ALPHA-CLASS EXAMPLES
The Falcon – (MU – Avengers): Quipped by Hawkeye and never forgotten: “They chose you over me? Your only power is flying and rapping with birds.” This sums up the Falcon quite nicely. Using a flight harness of unknown design, he fights crime with Captain America after being exposed to a “cosmic cube” somewhere along the way and acquiring the power to communicate with birds. (in the beginning it was a single bird, but later someone decided that was lame and made it possible for him to utilize and communicate with other birds as well. Wow. What an upgrade.) He is ranked an Alpha only because he has become an institution in the Marvel Universe. Physically he is Beta-class at best. The trick with seeing out of the eyes of six million birds was a nice one.

His flight harness is later destroyed (mostly because it was ugly) and rebuilt by the Black Panther with some minor technology upgrades and a whole lot better looking (GPS, magnetic thrust pack for increased speed, IR vision, jamming technology, and some armor). In a world with reality-altering mutations, cosmic awareness, and godhood on demand (Crusher Creel, a criminal gained his powers from an elixir created by Loki, Norse god of Evil), someone thought it was a good idea to create the Falcon as a sidekick for Captain America back in 1969.

The Falcon is technically the first African-American superhero (Black Panther is from Africa…) He appeared three years before Luke Cage and six years before Storm and is the first black superhero who does not have the word Black in his name. He also appeared two years before John Stewart of the DCU’s Green Lantern fame. (And to be technically correct, the first black character starring in comics is Dell Comics’ Old West gunfighter, Lobo, introduced in 1965.

Black Panther (MU, Avengers): Technically, his power levels only rate him a Beta-class, but he has managed just by being “Bad-Assed” enough and arguable one of the first and likely most well known of black metahumans to make it to the Alpha team. He has just barely superhuman strength (800 pounds), preternatural agility and reflexes. He later supplemented his physical abilities with his culture’s advanced technology. It would appear he will be losing said technology and taking over Daredevil’s beat in NYC asBlack Panther: The Man without Fear in late 2010 or early 2011.

The writers giveth and the writers taketh away. Christopher Priest is credited with the recent resurgence of interest in the Black Panther, (making Wakanda awesome, giving the Panther cool tech, portraying him as scary intelligent, coldly calculating, and wonderfully brilliant). Thank you, Mr. Priest for showing the Black Panther could have always been awesome if someone had cared to do the job.

Black Lightning (DCU – JLA): With the last Crisis on Infinite Earths (the DCU way of retconning anything they do not like about their current universe, and pushing back the clock on anything that should be getting older but now isn’t), Black Lightning’s powers were internalized (he used to wear an energy belt) and he became capable of a variety of electro-magnetic feats including: flight, lightning projection, and simple electromagnetic force fields. He would be classified as an Alpha-class metahuman, if a bit uninteresting, and usually poorly written. The most interesting thing to happen to him in years is his two adult daughters, predictably called Thunder and Lightning, and the question of whether he was Static’s father. The most interesting thing I have ever seen him do was blow up an Imperiex Probe. You had to be there. I waited at least 30 years for that.

The second black superhero of the DCU, Black Lightning has had an on-again, off-again relationship in publication. His books have never done well enough to stay in print, mostly due to spotty writing and poor character development (his and his cast of characters). In recent years, he has experienced a resurgence and even become a member of the Justice League of American White Superheroes. (Don’t get it twisted, I love the JLA, JSA and all of their spin-offs, it just annoys me that 40 years after Civil Rights we still don’t have an original character of color as a member of the League that is notable, interesting or useful. John Stewart is the man, but he is the third or fourth man to be Green Lantern of Earth.) Maybe the DCU’s writers will figure out no one will care about the character until they do.

Storm (MU, X-men): The first Alpha-class African hero whose powers reflect this. Exhibiting molecular control allowing for weather manipulation and flight. Her precision with her powers allowed her to create microclimatic events inside of a room so she could water plants or create ice-storms. She is a highly skilled martial artist, security systems expert and team leader. Until recently (likely the period after she married the Black Panther), she had been a member of every iteration of the Modern X-men. For a time, she lost her powers, but none of her popularity, even when she was sporting a mohawk, wearing a leather dominatrix outfit and beating people down with her fists! Eventually she got classy again, and started wearing something akin to her early uniforms, only a bit more tasteful. For a time she acquired the power of Thor but was unwilling to stay in Asgard. (That clause obviously did not apply to Beta Ray Thor.) Marrying the Black Panther was interesting and we will wait to see what comes of it.

Triathalon aka 3D Man (MU, formerly an Avenger): A metahuman with three times the strength, speed, reflexes and agility of a normal human. He also had increased sensory acuity as well. He recently appeared in the Marvel Civil Wars and could detect the presence of shape-shifted, possessed or illusory images. I know that does not sound like much, but he was able to lift over 2 tons, had a level of agility and flexibility that could make an Olympic-level athlete blush, a reaction time that allowed him to dodge bullets, and could run at speeds of over 100 miles per hour for nearly an hour. In a group like the Avengers, he was wildly outclassed, almost mortal-seeming, but in the right hands, he could have been very interesting. Currently missing in action, presumed dead.

Luke Cage – Power Man (MU – Heroes for Hire, Avengers): Hated his origin, he gained his powers as a victim of experimentation while in prison. His power level has varied widely, but it is almost always some variant of superhuman level strength (lifting anywhere from 10 tons to 70 tons) and superhuman levels of resistance, definitely bullet-proof, sometimes more depending on whose writing him. To be honest, I did not enjoy what I call “Blackploitation” Power Man (that yellow shirt and tiara thing, really worked my nerves), the period before he worked with Iron Fist, I did enjoy him more while he and Fist worked together as Power Man and Iron Fist: Heroes for Hire, and almost liked him during his stint as an Avenger. To be fair, he is one of the only other regularly working heroes of color in the Marvel Universe. As to the lack of development, well are you really surprised?

POTENTIAL OMEGAS:
Photon – (MU – formerly an Avenger) transformed in an experiment into an energy being she is capable of manipulating high-order energy fields for feats of energy projection and control, flight, and super-speed. Her powers rivaled any known in the Marvel Universe and for a time caused fear amongst its mightiest team, the Avengers, of whom she was, for a time, a card-carrying member. Her powers have been stripped back a bit from the days of her origin (technically she started off as an Omega-class being), likely to allow stories to be written about her without driving writers crazy.

Vixen – (DCU – JLA) – by using a mystic amulet, she is able to utilize the red morphegenic field to take on characteristics of any living being. She could use her powers to emulate the physical characteristics (the strength of an elephant or the ability to fly) of any animal. For a time, she was able to even replicate the metahuman characteristics of any living being such as a Kryptonian. It was later retconned, claiming the deity, Anansi, hiding in a pocket dimension within the amulet had altered her powers for his protection. Her ability to replicate superhuman powers is presumed lost.

KNOWN OMEGAS
Black Adam (DCU): Technically an Egyptian, though almost never drawn with any real color to him, he is currently depowered and presumed dead, his previous power-level rivaled Superman’s. Always portrayed as just a bit right of center, he has been one of the more dangerous beings in the DCU. As such, I do not think he will be sitting out very long. Even though he was a villain for most of his career, he did try to be a hero for s short stint, before it went terribly wrong. No surprise there.

Spawn (Image Comics): A black intelligence operative, Al Simmons, is killed and ends up in Hell. Making a deal with his universe’s devil he becomes bound to a powerful entity which gives him superhuman capabilities. Spawn’s body is quite dense and is infused with necroplasm. This gives him superhuman strength, speed, agility, senses, durability, endurance, a regenerative healing factor, jumping, ectoplasmic manipulation, etc. His necroplasm also gives him necro-magic, a variety of supernatural powers including teleportation, phasing, resurrecting the dead, necro-energy blasts and more. He becomes omnipotent after eating from the tree of Eden.

Spawn’s existence and success belies everything the industry has ever said about black superheroes. The Spawn series has spun off several other comics, including Angela, Curse of the Spawn, Sam & Twitch, and the Japanese manga Shadows of Spawn. Spawn was adapted into a 1997 feature film, an HBO animated series lasting from 1997 until 1999, and a series of action figures whose high level of detail made McFarlane Toys known in the toy industry.

Blue Marvel: The Blue Marvel (what is it with black heroes being color identified?) is clearly an Omega-class metahuman. Easily able to defeat the Avengers in combat, including the Sentry, is no mean feat. He has superior superhuman levels of strength, speed, flight, resistance to injury. Physically god-like in every way. He is one of the most powerful humans ever seen in the Marvel Universe. And likely to never be seen again. (I am certain, they do not want to have him saving the Marvel Universe too often, so he will either be, depowered, psychologically depressed, killed, absorbed, transformed, transmorgrified or defanged as so to leave him unable to be a role model to anyone.

In a case of retroactively ADDING color to the relatively colorless lineup of the 1960’s, Marvel Comics created a hero recently called, The Blue Marvel. The twist? He was supposed to have stepped down from a career as a superhero to allow the Civil Rights acts to pass. The claim was he might incite race riots by using his powers in public. He is given some Presidential medal and moves quietly with his cosmic powers into a nice suburban neighborhood and stays there until a villain, linked to his origin, of course, appears to thrash the local incarnation of the Avengers. This incarnation, while lacking Thor, who is usually the heavy on the Avengers team, is boasting The Sentry, one of Marvel’s Superman analogues (they have several, The Sentry, Gladiator, and Hyperion to name three easy ones) and a bunch of other heavies, who promptly get their asses handed to them. He comes out of retirement, offers to help, gets told to get lost, watches the Avengers get thrashed, fights the Avengers and tells them to stay out of his way, knocking the Sentry into orbit, and fighting and defeating his nemesis. Did I say knocking the Sentry into orbit? If you can find this bit of retroactive chicanery, it is worth reading for those panels alone. Especially if you do not like the Sentry. (hint, hint.) And while I was doing some image hunting, I came upon some new notes for the Blue Marvel to reappear…

SuperMAN: (DCU/Tangent Universe): Clearly an Omega-class metahuman with a wide array of mental powers gained by experimentation with and experimental version of Miraclo. Harvey Dent’s powers were the equivalent of Captain Comet for a moment, super-intellect, telepathy, telekinesis, mind control, remote viewing. But they continued to expand until he could detect events before they happened, he could detect people thinking about harming him as they approached, he was able to create energy, read computer hard drives no matter where they were, and eventually capable of performing feats equal to that of the Phoenix Force. He was able to alter his physiology to give himself new powers, temporarily or permanently and eventually became the mightiest being on his world.

In a conflict with his planet’s nemesis, The Ultra-Humanite, their struggle destroyed the Moon and rendered it into parts small enough they were no threat to the Earth. While very few people have heard of the TU’s SuperMAN, during the run of the books, he was one of the most interesting of the TU’s versions of the DCU’s classic characters. So much so, when the DCU was experiencing one of its Universe altering Crisis’, the SuperMAN is involved in the establishment of the new DCU. He is easily as powerful as the Big Blue Boy Scout and unfortunately as unknown as Big Blue is known.

The SuperMAN of the Tangent Universe is a being who was conceived of as an alternative to the standard idea of Superman, where the emphasis was on the Super, not the Man. In this experiment, SuperMAN was a black police officer whose powers were triggered by a fall from an office window. Upon landing without serious injury, it was clear he had begun to evolve. His mind, thinking processes and eventually the ability to manipulate all forms of matter and energy came under his control. Not quite reality manipulation, I would call it the ultimate expression of all forms of quantum energy waveforms in his universe. If he could conceive of it, it was possible. With an intellect in the supergenius range, it was soon impossible to challenge him sufficiently. He began to consider world domination, clearly from a sense that he knew more of what would be right than anyone else. Unlike the DCU, in the Tangent Universe (TU) the existence of metahumans WOULD change all aspects of worldly life. In the TU, SuperMAN came to rule the world and considered moving his dominion to other parallel worlds.

The question was asked where are the Omega-class black superheroes? This was not meant to be an all inclusive list of metahumans of color. This was simply an exploration what has happened in the industry and to question why an industry that has several thousand heroes, across half a dozen well known companies, can count less than fifty well-recognized, well-respected or even well-developed heroes of color. The mission of my post was to talk about the very nature of the question, why they barely exist, why the industry speaks with two tongues, the successes and failures of some black heroes, mostly due to poor handling and a lack of interest in doing it right at all. I believe the black heroes of the future will belong to us when we stop stereotyping ourselves and allowing them to define what a hero is to us and our children. I believe we can create believable ideals that speak to our core values (or speak to values we would like to incorporate into our lifestyles) and create mythic beings that can resonate with out children, promoting new ways of thinking, believing, working, growing, having families, living well, leaving legacies and dying gracefully. No one should have a monopoly on those things. Neither should any particular group of mythic heroes. To quote the famous heromaker himself, Stan “the Man” Lee, “we can all make heroes, we can all be heroes, all we have to do is want to.” So let’s get to creating.