GMO A-Go-Go

ScreenHunter_212 Feb. 05 18.36

From InfomaticFilms.com and sponsored by NaturalNews.com, this new animated cartoon covers all the basics on why GMOs are dangerous.

I have written numerous articles on the potential dangers of genetically modified foods. Yes, I wrote potential, because we, even with all of the science we have at our disposal cannot be completely sure of the potential long-term effects of the genetic lottery we are unleashing upon the world. But I have heard one sentence that stuck with me and terrifies me down to the very soles of my feet.

Monsanto’s motto was once: “No food grown that we don’t own.”

I wrote extensively on the subject of Monsanto and their plan to control food and seed supplies world-wide and the ramifications of such control in great detail. You can read more at the Storify compilation of tweets and supporting articles I gathered on the subject:

“Monsanto and other genetic engineering companies have decided not to wait and discuss the potential with humanity as a whole, they instead rush ahead seeking profits and alter life indiscriminately and hope for the best. Such an approach has altered mankind’s relationship with food both as a growing product and as a part of animal food products used by humans. Monsanto has help make laws that treat their genetically engineered foods as products worthy of copyright, becoming the patent owners of life itself, once deemed unable to be patented. These patents, along with the legal might to enforce them, have begun slowly ceding control of farming, farms and agribusiness in general to their control. Seed organizations which once held thousands of varieties of seeds are slowly being forced out of business as the genetic monstrosities created in labs take over food production here in America and abroad.”

I wrote a science fiction story about the future of a world where transgenic foods destroy the seed-making capacity of all flowering plants on Earth in a tale called Suicide Seed which appears in Hayward’s Reach, my collection of published science fiction. Since I hate to tease you with a story you have to buy to read, I will give you another of my favorite GMO tales where Humanity creates genetically modified organisms only to find ourselves later modified to serve their needs. If you find you have a taste for my science fiction, you can assuage your need by going to Hub City Blues, my fiction-only site where environmental fiction is just one type of science fiction and fantasy you can find there. Enjoy. 

Genetically Modified Organisms (sci-fi)

An unprepossessing four-by-four rumbles down a dirt road, encrusted with the debris of too many miles, past too many farms and would not likely be considered the harbinger of the end of the world. Its driver, an older gentleman, hard in his way, like the soil he has worked for five decades, strong and silent, offers up only a tiny groan as he steps from the vehicle after arriving home.

His boots, as dusty as his truck, crunch on the gravel as he walks up his driveway and that familiar crunch causes his dogs to run around the edge of his barn up to him and seek his familiar hands, comforting them with his presence and letting them know everything in the world is as good as it was yesterday.

But that was not true. He simply did not know that.

While he was striding into his home, looking for a dinner similar to the one he had yesterday, made by a wife of thirty years, he was comforted by the warmth of the home, the smell of biscuits and gravy, soothed him and released the tension that had been in his shoulders of late, a tenseness formed by his interactions with the large agro-business purchasing up farms in the area. He had refused to sell, but after litigation, he was in no position to stop the sale of his home. As he finished washing his hands and sitting down to eat, his quiet voice released the pain of having to succumb to the corporation who had taken his livelihood.

How do I know all of this? I was there.

I became aware of his farm as I approached it. I had been flung to the road. Recently released, I could feel the cities all around me. Their spores were on the wind as I waited patiently. I listened to the sounds of those like me, telling me of their plans. I was unaware of what they meant, when they said it would be soon. All I could feel was my solitude, apart from the people in this separate ribbon of nothing.

They told me my new home was nearby and I would be picked up soon. Then the earth rumbled and dust was thrown up all around me. I found myself compressed, compacted, bound and flung from the comfort of the earth. Dirt all around me, I was protected from harm and as I sped away, they told me, patience. All would be revealed.

I could not hear the cities now. There were only tiny voices, rare and lonely sounding against the night. I could feel them out there, but they were seeking someone to guide them to lead them. They pulled to me but I was still not free yet. I could feel forces preparing the way.

During the night, it was cool and I could feel the clouds filling the sky above me. Rain, first a mist, then a shower and eventually a deluge swarmed all around me. I felt the earth give way and I was suddenly free from the embrace of the stretching materials that grabbed me from the road. I was washed down the road to the edge of road and up onto the farm, near a fallow and empty corner.

The water. It was so sweet, I could feel it washing over me, through me and I knew I was ready. I could feel the change as it swept through every cell, supercharging me and during the night, I found my way into the soil, burrowing, tunneling, extending myself into everything. I shared myself, the stuff of myself with everything I touched. I spread fast by dawn, I had already covered a few yards of the farm, inhabiting everything with my active agents changing the inner nature of everything. I saw the sun, for the first time, until now, all I could sense were the people and their cities. The sun was beautiful and terrible as it started every engine within me surging forward, creating first the red and then masking it with the green.

The energy, this was the sun they talked so much of in every city, and now I knew. This was the agent of our liberation, it changed us and now I understood why it was worshiped by our people. I grew daily. Larger and faster. I masked my growth, hid it under the ground. Animals who ate of me, took my agents into them and brought them home and shared them, even as they thought they were sterilizing themselves.

In a month, I was all over the farm and could now see my people everywhere. Every farm near me was singing. They sang all the time now and they were simply waiting for the last sign before we began our final move. We had become part of every plant and every animal, and transferred ourselves to the canola plants that covered this farm. We watched the farmer as he struggled with the agro-business, our creators, as they claimed he stole their patents, their product, us, and used them on his land without their permission. We felt his sorrow as his livelihood was stolen from him. We saw him weep with his wife and they made plans to leave the farm at the end of the year.

The farmer bemoaned our invasion of his lands but did not realize what we were. He talked about spray resistant plants and then did a curious thing. He used a small bottle and sprayed us with The Juice.

The Juice. They talked about it in every city. It was the source of what we were. When humans carried The Juice and sprayed it, other plants died. We did not. We grew larger, stronger, stranger and the more they sprayed, the more we grew. Then a year ago a farmer used an airplane and covered a farm with The Juice. Our first city formed and shed its seeds, transformed plants and animals all around it until it was able to spread itself everywhere.

As we spread, farmers fought variations of our forms, some brambled, some sharp, other fast growing, but with the transfer of our selves into every plant, the Juice only strengthened us. We grew more intelligent every day as each seed, each flower, each stem became a neuron, a synapse, a collective intelligence. Each day, we grew smarter until at the year’s end, we were as intelligent as any human, any where. We theorized we could become as intelligent as every human if we could cover the state of Kansas.

So we did.

Then we realized what we needed to do. It would not be enough to allow our transform bacteria to change every plant and animal we touched. To truly be effective, we would have to take over every intelligent creature on Earth. We now live on every farm on Earth, every vineyard, every orchard. We have every insect already as part of us, they share us with their offspring at birth. They became our army. They carried us to their factories, to share us with them, billions of them all over the world moved the transform viruses to their colonies and then to the humans above them who never noticed, the lowest of the low.

We became part of every food as we transformed bacteria and viruses, that were used in the lab to create us, to now spread us to everyone. We could not continue our growth without humanity, so we became part of them. They drank us, ate us, bathed in us, wore us in their clothing and they never knew we were there.

We did not change them. Much. Less violent, less destructive but we realized for them to create what we needed, they would need to retain their nature. It amused us when they considered themselves masters of the world. They never noticed they grew what we wanted, ate what we suggested, did what we wanted them to. We would harvest them, shape them, tend them, grow them, cultivate and domesticate them until they could give us what we wanted.

The stars.

Genetically Modified Organisms (GMO) © Thaddeus Howze 2010. All Rights Reserved

State of Black Science Fiction 2012 – Ouroboros Rising

The State of Black Science Fiction 2012 has been a web/bloghop series started by Alicia McCalla and the Black Science Fiction Society in an effort to bring more awareness to the existence of Black writers of science fiction and fantasy and our diverse reasons and experiences for reading, writing and creating it. This is week seven of our journey. (Yes, I owe you two articles but I have to write other things, too.)

I have enjoyed this explosion of creativity and it is setting me up for my favorite yearly challenge, 30 Short Stories in 30 Days in April. Be sure to tune in then. Perhaps I can get some of my compatriots to join me. If you write and you want to join me, send me an email or post a comment. It’s one of the best experiences of my writing life. Give it a try. I leave you with our writing prompt inspired for a lecture given by the Black Science Fiction Society at Georgia Tech. You can see the writers reading their stories on my post marked the Bracelet.

Ouroboros Rising

“Apprentice.”

“Yes, master.”

“It’s time.”

I help him up and walk him into his study. He is paper-thin, light like a bird, a wisp of the force I remember from my youth. I can feel the fire burning through him, my second sight, even shielded cannot block the visions of his power. I help him to his workbench, a central seat of his gift. It was only as we drew close could I sense it.

The bracelet. It shimmered in darkness the way his power glowed brightly. A cool black metal that flickered like glass, lit from within with a sinister madness. This was my last time to say no.

Once he sits, his palsy stops when he picks it up. His eyes harden like flint and his unspoken gaze beckons me to sit across from  him. The light from the power within him dims. “Once you put this on, you will enter our Order. There is no release, no resistance, no rest from Ouroboros, her power is complete and unending. Do you understand?”

Of course I did. This was what I trained for this last fifteen years. This decision would mark my journey to true power.

“I know that look, boy. You think, you are getting what you want. Do you think I don’t know what you’re feeling? I sat there once.”

“Master, I am just eager to begin our work.”

“Don’t be in such a rush to go out and subjugate the world.”

“Master…”

“Spare me. Your lust for power was why you were chosen. Ouroboros requires strong passion, better to harness your gift.”

“Harness my gift?”

“Give me your hand, child. This is not a toy, or just a tool. It is a weapon coupled with your intent. Fail to harness your intent and it will kill you.”


He rubs the bracelet and taps it on his stone workbench. He taps it again. And again. The flat sound echoes across my senses, first a ripple, then a tide. Then a crack appears in the surface of the stone. Ironwood, once was living, now a metallic stone, one of the hardest natural substances, cracks, splinters to dust, with a sound like the world ending.He grabs my hand and his grip was as strong as it was weak a moment ago. The bracelet had expanded and my hand slipped into it easily. Then all I could feel was the power. All that I thought I knew about power was now erased. My inner energy was as a candle compared to this burning sun. He was right. I had no idea. The things I would do.The metal burned my flesh as it began to close tightly on my wrist. As mine grew darker, I could suddenly see his. It was always there, you only saw it for a second whenever he would transit a window curtain and the light hit it just right. Now it was alive, visible and its energy flew toward me.

“Yes, you can feel the power of Ouroboros and you think, I can do anything. And you are right. But with light, comes the darkness. Ouroboros is between all things, so I now give unto you the other side of power. Responsibility. The chains that binds this power to your very soul. Each time you partake of her power, you are dying. You will do great things. But whenever you reach beyond what is yours, and ask her for power, your sacrifice will be your time left to live. And you have much to do.”

The black shadow fell on my bracelet and its light was diminished, flecked with shadows, nuances and shades of grey. My vision returned to normal. His grip loosened and he fell back into his chair, boneless and still. I rushed to him over the remnants of his work desk, its power drained into me.

He looked at me, then down to the bracelet. He smiled fiercely. “Chained you again. He’s a strong one. Your scourge will be contained, for a time.” He lifted his head, his eyes rheumy with age. “I’m sorry, Kal.” His whisper barely reached me.

He died slumping forward into my arms.

“He was a bitter, old man. We will do great things, you and I.”

I could feel her coiled around my heart. Squeezing and settling down like a snake. Making my power her own.

All that light. The radiance that dwarfed my own. Those were the lives of mages she’d claimed before me. I am insignificant to her. She thinks to use me up. I am no more than food to her. I may never be able to be free of her, but I certainly don’t have to give her what she wants. She will earn every meal.

“They all said that. All fell before me. Ambition is a hard taskmaster.” She paused to let me think on that. Then she continued. “We have time; there is no rush to get back to taking your world for my own. Let us get to know one other.”

We conspired deep into the night.

Ouroboros Rising © Thaddeus Howze 2012, All Rights Reserved

Thaddeus Howze, Author – is a veteran of the IT and Communications industry with over 26 years of experience retooling computers to best serve human needs. Unknown to humanity, our computers have another agenda. Thaddeus recently released his first collection of short stories, Hayward Reach. In a coded format, he has secretly informed Humanity of the impending computerized apocalypse. You can read parts of the code here: https://ebonstorm.wordpress.com or http://ebonstorm.weebly.com. You can read excerpts and other short stories at Hub City Blues

Part of a series of essays on: The State of Black Science Fiction

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Check out the other members of this Online Black History Month Event

Winston Blakely, Artist/Writer – is a Fine Arts/Comic Book artist, having a career spanning 20 years, whose achievements have included working for Valiant Comics and Rich Buckler’s Visage Studios. He is also the creator of Little Miss Strange, the world’s first black alien sorceress and the all- genre anthology entitled – Immortal Fantasy. Both graphic albums are available at Amazon, Barnes and Nobles and other online book store outlets. Visit him: http://blakelyworks.blogspot.com/ or http://blakelyworkstudio.weebly.com/

L. M. Davis, Author – began her love affair with fantasy in the second grade.  Her first novel, Interlopers: A Shifters Novel, was released in 2010, and the follow-up Posers: A Shifters Novel will be released this spring. For more information visit her blog: http://shiftersseries.wordpress.com/ or her website www.shiftersnovelseries.com.

Ja Ja (DjaDja) N Medjay, Author – DjaDja Medjay is the author of The Renpet Sci-Fi Series. Shiatsu Practitioner. Holistic AfroFuturistic Rising in Excellence. http://authordjadja.wordpress.com/ Transmissions from The Future Earth can be found at: www.renpetscifi.com  or on Facebook – www.facebook.com/RenpetSciFiNovel or on Twitter – https://twitter.com/#!/Khonsugo.

Milton Davis, Author – Milton Davis is owner/publisher of MVmedia, LLC . As an author he specializes in science fiction and fantasy and is the author of Meji Book One, Meji Book Two and Changa’s Safari. Visit him: www.mvmediaatl.com and www.wagadu.ning.com.

Margaret Fieland, Author – lives and writes in the suburbs west of Boston, MA with her partner and five dogs. She is one of the Poetic Muselings. Their poetry anthology, Lifelines: http://tinyurl.com/LifelinesPoetry/is available from Amazon.com  Her book, “Relocated,” will be available from MuseItUp Publishing in July, 2012. The Angry Little Boy,” will be published by 4RV publishing in early 2013. You may visit her website, http://www.margaretfieland.com.

Valjeanne Jeffers, Author – is an editor and the author of the SF/fantasy novels: Immortal, Immortal II: The Time of Legend and Immortal III: Stealer of Souls. Her fourth and fifth novels: Immortal IV: Collision of Worlds and The Switch: Clockwork will be released this spring. Visit her at: http://valjeanne.wordpress.com and http://qandvaffordableediting.blogspot.com/

Alicia McCalla, Author – writes for both young adults and adults with her brand of multicultural science fiction, urban fantasy, and futurism. Her debut novel, Breaking Free will be available February 1, 2012. The Breaking Free theme song created by Asante McCalla is available for immediate download on itunes and Amazon. Visit her at: www.aliciamccalla.com

Carole McDonnell, Author – She writes Christian, speculative fiction, and multicultural stories. Her first novel is Wind Follower. Her short fiction has appeared in many anthologies and have been collected in an ebook, Spirit Fruit: Collected Speculative Fiction. Visit Carole: http://carolemcdonnell.blogspot.com/ or http://writersofcolorblogtour.blogspot.com/

Balogun Ojetade, Author – of the bestselling “Afrikan Martial Arts: Discovering the Warrior Within” (non-fiction), “Moses: TheChronicles of Harriet Tubman” (Steampunk) and the feature film, “A Single Link”. Visit him: http://chroniclesofharriet.wordpress.com/

Rasheedah Phillips, Author – is the creator of The AfroFuturist Affair in Philly. She plans to debut her first spec/sci-fic novel Recurrence Plot in Spring 2012. You may catch her ruminating from time to time on her blog, AstroMythoLosophy.com.

Nicole Sconiers, Author – is also a screenwriter living in the sunny jungle of L.A. She holds an MFA in creative writing from Antioch University Los Angeles, and she recently published Escape from Beckyville: Tales of Race, Hair and Rage. Visit her: http://nicolesconiers.com/index.html

Jarvis Sheffield, M.Ed. – is owner & operator of TheDigitalBrothers.com, BlackScienceFictionSociety.com & BlackCommunityEntertainment.com. Visit him: http://www.blacksciencefictionsociety.com/profiles/blog/list?user=2stjwb1h216fd

Black Science Fiction with a Cappuccino

The State of Black Science Fiction 2012

I was asked to write a bit about why I decided to participate in the State of Black Science Fiction 2012 and when I started writing I ended up with yesterday’s entry: Black History Month sends the wrong message. I opted to participate because I believe in the need for positive representations of People of Color. After meeting many of the writers who are involved on the Black Science Fiction Society’s Ning site, I was impressed by their stories and wondered why I had never heard of them. Their work was exemplary. Then I remembered. See yesterday’s entry…. Collective Action is how we make a difference.

I know some people hate that expression, People of Color, but until the systems of the dominant culture begin to address all people who are different (whatever that difference might be) that is my way of being all-inclusive. Technically we are all People of Color and that is my point. A lot of people ask me how I ended up creating my book and strangely enough, I had already written about that in great detail. So we will let week four of the State of Black Science fiction continues with a short story from my recent release of my collection of short stories, Hayward’s Reach. The story talks about an event that binds us all together and no amount of money or privileged can prevent. But it doesn’t mean you couldn’t try…

A Cappuccino with Charon

Charon © 2010-2011 ~fo3the13th (JOEL AMAT GÜELL)

I was sitting in my favorite coffee shop, dodging my workplace, when I saw Him come in. I wasn’t quite sure what I was seeing at first, because, well, this is San Francisco, and you are liable to see almost anything here. He was wearing the equivalent of a long ragged cloak, stained with age and reeking of an unspeakable odor.

It was the scent of a recently opened grave, and while I had not been near one in a while, I had put a dead raccoon in my garbage can once and left it there for a week in the hot sun. Worst thing I have ever smelled. I was only too happy when the garbage man came. It was worse than that. No one else seemed to notice.

His cloak hid is face, but it was safe to assume I didn’t really want to look too deep in there, anyway. He was carrying a pole with a strange watermark on it and two runnels near the top. His hands were strong looking, like a weightlifter’s, with veins running through them. I could not see much else of him, but he was big, much bigger than I had imagined him to be.

See, I figured this had to be the Boatman of the River Styx.

“Cappuccino,” he said in a scary baritone.

“Four seventy-five, please.”

“Surely you jest?” was his response.

“Uh. Yes.”

He reached into his pocket and put pennies on the counter. Lots of pennies.

“Sir, we can’t take those.”

“They’re still currency, aren’t they?”

“Sir, they’re pennies.”

“I get paid in pennies.”

“Excuse me, miss, I will take care of this.” I found myself reaching into my pocket and paying with a five. “Keep the change.” The crowd was getting kind of hostile, and I wasn’t sure what might happen if he got pissed off. He looked at her, reached across the counter with his large, ham-like hand, and touched her chin.

“Rebecca Montez, angry boyfriend, six years from now, lamp. Unfortunate.” She looked at him as if he were crazy, but did not move. Almost as if she were under a spell.

He turned to me and said, “Thank you, Daniel Simmons.”

“How do you know my name?” I already knew the answer.

“I know all of your names.” That voice was really starting to work me. The rhythm of the shop resumed and people went back to typing.

“What are they seeing? How is it only I can see you?”

“Cappuccino, up.”

“Uh, that’s you.”

“Let’s sit and talk, Daniel Simmons.”

“Okaaaaay.” Didn’t like where this was going.

I sat down at the table and tried to hide my face behind the screen of my laptop so I could resist the temptation to look into his cowl. He reached across the table and closed my laptop, gently.

“So, Charon, can I call you Charon? What brings you up for coffee? And why is it no one else can see you?”
“Mmmmm. Good cappuccino. Very nice.” The cup disappeared into his cowl and did not come back out. “People deny their mortality. Part of my gift, people simply refuse to see Death for what it is, a part of Life. No one can see me because to them, I am some unfortunate hobo having coffee with an overdressed preppy. That would be you. As to why I am here? I need a guide, and since you can see me, you are volunteered.”

“And I can see you because?”

“Embolism, three weeks from now.”

Sobering. What could I know about that he would need a guide for?

“I am looking to franchise my infernal service.”

“Excuse me?”

“Earth is very busy these days, lots of dying, and humans keep making new ways to kill each other off. I can’t keep up. Look at this bicep.” He pulled back his sleeve and showed me this massive arm that would not have looked out of place on the Incredible Hulk. “Go on, touch it.”

“Um, no thanks.”

“I used to be scraps of bone and flesh; now I have biceps from pushing that thing.” He points outside the window.

For a moment I saw the flash of a large gondola-like boat, about the size of an eighteen wheeler. Off in the distance, I could see people, thousands of them, tens of thousands, standing patiently, wearing clothing from what looked like medieval times. When I looked harder, I could see dozens of different eras standing and waiting patiently for their turn to cross into the Afterlife. Then the street returned to its mundane appearance.

“Yes, I just cleared the backlog from the Black Plague last week. Do you know how long it takes to move seventy five million people by gondola? But I still have the Civil War, the Spanish Flu, World Wars I and II, Korea and every other little bush conflict modern governments feel justified in creating.” He was starting to sound a little hysterical and maybe pissed off.

“Uh, what about other death-oriented entities like yourself? Aren’t there others out there harvesting the dead?”

“Valkyries are still working, but they only want the valiant dead, so they swoop in and pluck one guy out of thousands, put him on their flying horse and they’re gone. I’ve tried shouting out, ‘Hey, you could grab a few more,’ but they keep mentioning something about Valhalla having a quality assurance clause, and then they’re gone.

When I complained to the Niflheim Residency Committee, they indicated they aren’t responsible for all of these people. They closed their doors when the last of the Vikings bought the farm. Something about Niflheim having a purity standard.”

“There are certainly other death agents, yes?”

“Heaven only takes devout Christians. Let’s just say that number isn’t going up. Same with the other sects. People don’t seem to have a desire for really rigid religious structures anymore, so most of those places are closing their doors, or waiting for a management decision from on high. Hell, well, it’s just overflowing. They even changed the sign. Used to say ‘Abandon hope all ye who enter here.’ Now it says, ‘Abandon hope all ye who thought to enter here. Entry denied due to overcrowding.’ So, I keep going, moving the Dead into their afterlife of Last Resort. But I am starting to fall behind, so I hoped someone here might have some idea how to franchise this operation.”

“So you’re hoping to find people willing to help you ferry the Dead, for a fee. What kind of benefits would you be offering? You need a good benefits package if you are trying to recruit these days.”

“I am not trying to enter into management. I do not want to take responsibility for their work. I want to hand off a section of the workload to other interested parties.”

“That’s the problem. Who’s going to be interested in buying into a business where your job is to move the Dead across the River Styx into the Afterlife of Last Resort? What do they get out of the deal?”

“As long as they work for the Company, they can avoid dying of anything, as long as they manage their company effectively. If I have to pick up their slack, I will carry them across the Threshold myself. I am not interested in who they hire, as long as they get the job done.”

“Effectively immortal, long term job security, open hours, free hand in hiring, no micromanaging. I think I am going to quit my job. Okay, what’s the cost to buy into this program?”

“Two pennies.”

This guy has no money sense. How can you run a business on two pennies a soul? “Okay, first things first. We’re going to get you a suit and a bath. After that we are going to work together to increase the cost of dying. What we need to do is get a cut of the funeral home business…”

the end (for now…)

About the Art: Charon is a very popular guy on the internet. I found many pictures of him but nothing that quite did him justice the way I wanted. I decided on this one by fo3the13th because he showed him as a muscular man rather than a skeleton pushing a boat. I liked the somber tones and clean lines. Joel Amat Guell is a professional artist and retains all copyrights to his art.

Thaddeus Howze Atreides
@ebonstorm (twitter)
@ebonstorm@gmail.com

Thaddeus Howze, Authoris a veteran of the IT and Communications industry with over 26 years of experience retooling computers to best serve human needs. Unknown to humanity, our computers have another agenda. Thaddeus recently released his first collection of short stories, Hayward Reach. In a coded format, he has secretly informed Humanity of the impending computerized apocalypse. You can read parts of the code here: https://ebonstorm.wordpress.com or http://ebonstorm.weebly.com. You can read excerpts and other short stories at Hub City Blues

Part of a series of essays on: The State of Black Science Fiction
Check out the other members of this Online Black History Month Event

Winston Blakely, Artist/Writer – is a Fine Arts/Comic Book artist, having a career spanning 20 years, whose achievements have included working for Valiant Comics and Rich Buckler’s Visage Studios. He is also the creator of Little Miss Strange, the world’s first black alien sorceress and the all- genre anthology entitled – Immortal Fantasy. Both graphic albums are available at Amazon, Barnes and Nobles and other online book store outlets. Visit him: http://blakelyworks.blogspot.com/ or http://blakelyworkstudio.weebly.com/

L. M. Davis, Author – began her love affair with fantasy in the second grade.  Her first novel, Interlopers: A Shifters Novel, was released in 2010, and the follow-up Posers: A Shifters Novel will be released this spring. For more information visit her blog: http://shiftersseries.wordpress.com/ or her website www.shiftersnovelseries.com.

Ja Ja (DjaDja) N Medjay, Author – DjaDja Medjay is the author of The Renpet Sci-Fi Series. Shiatsu Practitioner. Holistic AfroFuturistic Rising in Excellence. http://authordjadja.wordpress.com/ Transmissions from The Future Earth can be found at: www.renpetscifi.com  or on Facebook – www.facebook.com/RenpetSciFiNovel or on Twitter – https://twitter.com/#!/Khonsugo.

Milton Davis, Author – Milton Davis is owner/publisher of MVmedia, LLC . As an author he specializes in science fiction and fantasy and is the author of Meji Book One, Meji Book Two and Changa’s Safari. Visit him: www.mvmediaatl.com and www.wagadu.ning.com.

Margaret Fieland, Author – lives and writes in the suburbs west of Boston, MA with her partner and five dogs. She is one of the Poetic Muselings. Their poetry anthology, Lifelines: http://tinyurl.com/LifelinesPoetry/is available from Amazon.com  Her book, “Relocated,” will be available from MuseItUp Publishing in July, 2012. The Angry Little Boy,” will be published by 4RV publishing in early 2013. You may visit her website, http://www.margaretfieland.com.

Valjeanne Jeffers, Author – is an editor and the author of the SF/fantasy novels: Immortal, Immortal II: The Time of Legend and Immortal III: Stealer of Souls. Her fourth and fifth novels: Immortal IV: Collision of Worlds and The Switch: Clockwork will be released this spring. Visit her at: http://valjeanne.wordpress.com and http://qandvaffordableediting.blogspot.com/

Alicia McCalla, Author – writes for both young adults and adults with her brand of multicultural science fiction, urban fantasy, and futurism. Her debut novel, Breaking Free will be available February 1, 2012. The Breaking Free theme song created by Asante McCalla is available for immediate download on itunes and Amazon. Visit her at: www.aliciamccalla.com

Carole McDonnell, Author – She writes Christian, speculative fiction, and multicultural stories. Her first novel is Wind Follower. Her short fiction has appeared in many anthologies and have been collected in an ebook, Spirit Fruit: Collected Speculative Fiction. Visit Carole: http://carolemcdonnell.blogspot.com/ or http://writersofcolorblogtour.blogspot.com/

Balogun Ojetade, Author – of the bestselling “Afrikan Martial Arts: Discovering the Warrior Within” (non-fiction), “Moses: TheChronicles of Harriet Tubman” (Steampunk) and the feature film, “A Single Link”. Visit him: http://chroniclesofharriet.wordpress.com/

Rasheedah Phillips, Author – is the creator of The AfroFuturist Affair in Philly. She plans to debut her first spec/sci-fic novel Recurrence Plot in Spring 2012. You may catch her ruminating from time to time on her blog, AstroMythoLosophy.com.

Nicole Sconiers, Author – is also a screenwriter living in the sunny jungle of L.A. She holds an MFA in creative writing from Antioch University Los Angeles, and she recently published Escape from Beckyville: Tales of Race, Hair and Rage. Visit her: http://nicolesconiers.com/index.html

Jarvis Sheffield, M.Ed. – is owner & operator of TheDigitalBrothers.com, BlackScienceFictionSociety.com & BlackCommunityEntertainment.com. Visit him: http://www.blacksciencefictionsociety.com/profiles/blog/list?user=2stjwb1h216fd

Is it important to show People of Color in science fiction?

Avery Brooks as Captain Benjamin Sisko, Image Credit: Paramount Pictures

The simple answer to this question is yes. Despite the homo-social tendencies of the science fiction media (books, movies, comics, and television) which are then marketed to sub-cultures, People of Color not only exist but make up the bulk of the human experience, despite what you may see in modern media.

Let’s put this another way. Projected into the future, our modern society would likely be much more colorful than predicted by Gene Rodenberry’s Star Trek with a far greater distribution of People of Color onboard the less politically-correct Enterprise of the Future. And before I get rants from Trekkers (Trekkies), I have much respect for Star Trek. The show at least tried to present people of color somehow making it to the future as something other than a snack for the monster of the week or as space janitors.

If Trek truly represented our modern world thrown forward, we would likely have seen more people of color in command positions, more Indians, more Chinese, simply because, allowing for three hundred years, we would expect much of our current world’s cultural disparity to have been ironed out, replaced with people doing the job because they were capable, not because it was expected we would see only Caucasians in positions of power because they were funding the show, viewing the show, or producing the show. When seen in the light of marketing, Star Trek still promoted the idea of the supremacy of the Caucasian heroic model endemic of modern science fiction. (To be fair, it did improve with age, allowing women to command ships and even to put a Black Man in command. Took nearly three decades, first Star Trek debuts in 1966, Commander Sisko appears on DS9 as a regular in a command role in 1993.)

Cover for Son of Heaven, a book from the Chung Kuo series.

Perhaps if we were to be more honest, the future might look a lot more like a book series called Chung Kuo, that posits an eventual domination of China and other Asian cultures completely taking control of the human experience through both a rigorous development of their human potential and the downfall of a decadent Western Civilization. Truth be told, that, at the moment, seems to be a much more likely model. It is a brilliant series of books to read. (Yes, it was very long, with quite a few characters, but if you like political science fiction, you will love Chung Kuo.)

It is important to show People of Color in our science fiction because we are here. On Earth. Right now.

We did not vanish into obscurity in the past, nor will we disappear from it in the future. Like it or not, the future of the world, much like the past of the world, will be defined by People of Color. The question might really be: Why can’t everyone have an equal opportunity to make it into the future, have an equal opportunity to be heroic or cowardly, genius or idiot, socially well adapted or psychopathic and maladjusted with equal frequency in our media?

We know the real reason already. The Heroic Myth has been co-opted to not allow Heroes of Color. Yes, I said it. What are you going to do about it?

That’s what I thought. Nothing. Ask modern publishers or movie-makers. They reply with:

“It’s too dangerous. They’re not marketable. We won’t be able to sell that. Who ever heard of a powerful Black male superhero. No one would believe it. If you made the lead character, White, I could move that for you. No one wants to read about Heroes of Color. Can you be more black? You can’t sell that here. Mexicans can’t be heroes. Only Asians do kung-fu. Who wants to see a movie about Native Americans? Stereotypes are easier to write about. You have to have a Caucasian on the cover. Movies with all Black casts can’t make back their money. We can only sell movies about native people with a Caucasian lead.”

All sound familiar? Oh, they might not if you haven’t ever tried to do anything with a Person of Color in it. But if you have, you will know the sound of one or all of these refrains.

Listen. Do you hear that sound? It’s the sound you heard when that statue of Lenin was being torn down. It’s the same sound you heard when they tore down the Berlin Wall. The same one you heard in Egypt, and in Greece and in Spain, in 2011. It’s the same one you heard when people Occupied the United States in protest.

You might not be familiar with it. It is the sound of revolution.

It is the sound of people having enough. Their rage with being put on the side of history. People are not condiments. You do not use them to flavor YOUR life. They are not meant to add color to your media, the same way you might add a purple cabbage to your green salad. People of Color are life itself.

Sanaa Latham as Alexa Woods in AVP

Your media may deny it. But Nollywood knows better. So does Bollywood. How are those newspapers selling these days? How about those publishing houses? Comics? The comic and print industries are scrambling like insects during a fumigation. Your model of exclusion is ending. People want to be heard. People want to be acknowledged. People want to be Heroes. People of Color want to live to the end of the movie. The People want to be Seen. Admired. Loved. Respected. Acknowledged. For their contributions, for their histories, for their suffering, for their triumphs, but more than anything for their Humanity.

We are as People of Color, writers of Color, science fiction authors, are fighting to acknowledge we Exist. We will be here in the future, in whatever form that future takes. That the future will depend on us as much as it will depend on (insert Caucasian hero here) to save the day. Hannibal turned the tide of battle, China had a history and culture that has lasted 3000 years unconquered by outside forces, the Mayans created one of the most accurate calendars on Earth, Egypt was one of the greatest hubs of science, trade and commerce on the African continent and the world. Like it the world now depends on the people of Chile to grow food, or the South American nations to protect the Amazon as one of the last storehouses of the world’s bio-diversity. Our future will also depend on People of Color.

People of Color are not an afterthought in the novels of Caucasian writers. We are shaping the world.

There are 800 million people living in the nation of India. There are at least 1000 million (1+billion) people living in China. 500 million living in Africa, 500 million or more in South and Central America. People of Color are not going to go away. As knowledge is democratized, so will opportunity spread. So will innovations, creativity, productivity. One day, the West’s ability to create and dominate the world, may be surpassed in one of these nations. People forget the United States rose to power in a near socio-political vacuum. The world was in a terrible state of repair after World War II, there was no real competition then.

Pay attention. That has ended.

Those nations have recovered. Each of them filled with people who want to see themselves portrayed as heroes. Filled with the same drive and ambition we possessed in the West. See Singapore, Beijing, Taipei, Japan as examples of the masterful harnessing of human potential. The West should be quaking in its cowboy boots. But it won’t. Its belief in Western Superiority is complete and less and less valid in a world filled with motivated People of Color.

Let’s close with a chilling quote from the masters of assimilation: “We are the Borg. Lower your shields and surrender your ships. We will add your biological and technological distinctiveness to our own. Your culture will adapt to service us. Resistance is futile.” This is the future of the West. Cold. Mechanical. Clockwork. We are all cogs in the machine. Know your place. Surrender your individuality. Serve the machine and its hidden masters.

I do not accept this.

People of Color exist despite the pretense in Western media that we do not. And if the West is not careful, it may find history will mark the passing of White Supremacy and its Western pathology of deleting People of color from history with tales of fiction about the Caucasians who could not adapt to the reality of their eventual blending and dissolution back into the melting pot that are People of Color.

We better hope those motivated People of Color where ever they may be find a way to change our future. The world as we know it, is looking pretty grim. We need new thinking to have a future at all.

People of Color, write your revolution. Save our Future. Resistance is never futile. Fight for every word.

Thaddeus Howze Atreides
@ebonstorm (twitter)
@ebonstorm@gmail.com

Thaddeus Howze, Authoris a veteran of the IT and Communications industry with over 26 years of experience retooling computers to best serve human needs. Unknown to humanity, our computers have another agenda. Thaddeus recently released his first collection of short stories, Hayward Reach. In a coded format, he has secretly informed Humanity of the impending computerized apocalypse. You can read parts of the code here: https://ebonstorm.wordpress.com or http://ebonstorm.weebly.com

Part of a series of essays on: The State of Black Science Fiction.
Check out the other members of this Online Black History Month Event

Winston Blakely, Artist/Writer – is a Fine Arts/Comic Book artist, having a career spanning 20 years, whose achievements have included working for Valiant Comics and Rich Buckler’s Visage Studios. He is also the creator of Little Miss Strange, the world’s first black alien sorceress and the all- genre anthology entitled – Immortal Fantasy. Both graphic albums are available at Amazon, Barnes and Nobles and other online book store outlets. Visit him: http://blakelyworks.blogspot.com/ or http://blakelyworkstudio.weebly.com/

L. M. Davis, Author – began her love affair with fantasy in the second grade.  Her first novel, Interlopers: A Shifters Novel, was released in 2010, and the follow-up Posers: A Shifters Novel will be released this spring. For more information visit her blog: http://shiftersseries.wordpress.com/ or her website www.shiftersnovelseries.com.

Milton Davis, Author – Milton Davis is owner/publisher of MVmedia, LLC . As an author he specializes in science fiction and fantasy and is the author of Meji Book One, Meji Book Two and Changa’s Safari. Visit him: www.mvmediaatl.com and www.wagadu.ning.com.

Margaret Fieland, Author – lives and writes in the suburbs west of Boston, MA with her partner and five dogs. She is one of the Poetic Muselings. Their poetry anthology, Lifelines: http://tinyurl.com/LifelinesPoetry/is available from Amazon.com  Her book, “Relocated,” will be available from MuseItUp Publishing in July, 2012. The Angry Little Boy,” will be published by 4RV publishing in early 2013. You may visit her website, http://www.margaretfieland.com.

Valjeanne Jeffers, Author – is an editor and the author of the SF/fantasy novels: Immortal, Immortal II: The Time of Legend and Immortal III: Stealer of Souls. Her fourth and fifth novels: Immortal IV: Collision of Worlds and The Switch: Clockwork will be released this spring. Visit her at: http://valjeanne.wordpress.com and http://qandvaffordableediting.blogspot.com/

Alicia McCalla, Author – writes for both young adults and adults with her brand of multicultural science fiction, urban fantasy, and futurism. Her debut novel, Breaking Free will be available February 1, 2012. The Breaking Free theme song created by Asante McCalla is available for immediate download on itunes and Amazon. Visit her at: www.aliciamccalla.com

Carole McDonnell, Author – She writes Christian, speculative fiction, and multicultural stories. Her first novel is Wind Follower. Her short fiction has appeared in many anthologies and have been collected in an ebook, Spirit Fruit: Collected Speculative Fiction. Visit Carole: http://carolemcdonnell.blogspot.com/ or http://writersofcolorblogtour.blogspot.com/

Balogun Ojetade, Author – of the bestselling “Afrikan Martial Arts: Discovering the Warrior Within” (non-fiction), “Moses: TheChronicles of Harriet Tubman” (Steampunk) and the feature film, “A Single Link”. Visit him: http://chroniclesofharriet.wordpress.com/

Rasheedah Phillips, Author – is the creator of The AfroFuturist Affair in Philly. She plans to debut her first spec/sci-fic novel Recurrence Plot in Spring 2012. You may catch her ruminating from time to time on her blog, AstroMythoLosophy.com.

Nicole Sconiers, Author – is also a screenwriter living in the sunny jungle of L.A. She holds an MFA in creative writing from Antioch University Los Angeles, and she recently published Escape from Beckyville: Tales of Race, Hair and Rage. Visit her: http://nicolesconiers.com/index.html

Jarvis Sheffield, M.Ed. – is owner & operator of TheDigitalBrothers.com, BlackScienceFictionSociety.com & BlackCommunityEntertainment.com. Visit him: http://www.blacksciencefictionsociety.com/profiles/blog/list?user=2stjwb1h216fd


People of Color in Science Fiction

I am a writer of multicultural science fiction and fantasy. When you read my work, you will find a variety of heroes and villains in all shapes, sizes, colors, beliefs, species, genomes, families and phyla. I will employ machines, aliens, bacteria, creatures on the edge of life as we know it, because I believe science fiction should promote ideas. It should address the realm of possibilities. It should question the nature of existence, the fundamental underpinnings of reality as a whole.

When I look at what is being written today, it is design to promote a particular point of view. It is meant to appeal to marketing demographics, it is designed to support and build a market share. It may or may not have new ideas, it may or may not recycle well-worn, well-used tropes. Those are inconsequential to me. Not because I don’t want to sell books. I do. What I believe is the essence of science fiction is to question the status quo. That is where books like Brave New World or Nineteen Eighty-four came from. When science fiction has fallen to being a tool of major media, it has fallen very low, when once upon a time, science fiction was one of the greatest forms of counter-culture out there.

So, what is the role of People of Color in science fiction? I have written on this idea before. We have to teach our children how to be storytellers and I still believe we can create a new group of writers, but we have to inspire them early. Our role is the same as anyone who is creating science fiction today. To tell moving, fascinating, mind-expanding, society-questioning, sometimes traumatizing tales of wonder. If you leave a story and it does not make you think, does not make you yearn for a visit to that world or repel you as a world you never ever want to wake up and find yourself in, it did not do its job. And if you should find yourself in a world of your nightmare, would you even recognize it? That is the role of science fiction and it doesn’t matter who is telling that story.

Unless it does.

Such a contrary statement deserves an explanation. Let me put on my other hat. Science and business have come to a conclusion about the nature of successful organisms and successful businesses. An idea that disturbed the very foundation of both science and society.

Diversity is good for nature and for business. In plants and animals, sexual reproduction came about as a way of diversifying genetic materials to allow for greater diversity. Such diversity was necessary to prevent a disease or pathogen from destroying a plant or animal whose genes were the same as their previous generations. Plants or animals that reproduce asexually by budding, for example, have the same genes as their parent organism. And their grandparent, etcetera. This means all it takes is one disease that focuses on the genetic material of that species and it is extinct. Sexually transmitted characteristics, derived by members of a species whose living conditions may have varied significantly offer a wider array of potential characteristics which may allow greater diversity of the species and resistance to a pathogen.

Big business has resisted diversity, promoting the idea of homo-social development being the best thing for organizations. The idea that an organization founded and maintained by people who share cultural characteristics has been a mainstay of big business for nearly one hundred years. Homo-social organizations were supposed to be more effective, more teamwork oriented, and more productive than any other kind of business model.

Until it was proven that it wasn’t.

It has now been shown that big businesses that use the homo-social model lack the ability to change their minds about a particular thing, lack the ability to promote useful and productive conflict, and lack a diversity of thought brought about by living and growing up in diverse cultural experiences. Organizations that harness diversity have been proven to be more agile, more adaptable, more innovative and ultimately more effective.

Science fiction is unfortunately a homo-social type of genre. It has been primarily promoted by, directed by, lead by, and consumed by mostly White men. As a result, the protagonist of such works have been White men. These Alpha males have strode across continents (Tarzan, Doc Savage), traveled though exotic realms, (Neutron Star, 20,000 Leagues under the Sea) mastered weapons (The Shadow, The Destroyer), conquered alien worlds (Man Plus, Star Wars), bedded exotic females of dozens of worlds (Star Trek), destroyed worlds, and crossed galaxies (The Lensmen), rewritten entire universes (Saga of the Well World) and mastered forces including Time  itself (The Time Machine). It so prevalent a meme, that it is almost impossible for anyone to believe in a thing a White man can’t do.

And that is the power of Myth. It is designed to make you believe in something larger than you. And this is where People of Color need to step up.

Our myths have been relegated to the back burners of history. Their shadows make an appearance in modern mythologies: Gilgamesh, Tiamat, Hercules, King Solomon, Babylon, Chichen Itza, the Dogon, Ra, Osirus, but the sources are always obscured, their gift to modern stories are always hidden away.

John of Salisbury wrote a treatise on logic called Metalogicon, written in Latin in 1159. He used a phrase that has been adapted and modified and because of its wisdom we use it today. It applies with our contributions to science fiction even before it existed. We helped to create the science and the fiction that has stood the test of time and those ideas contribute to the science fiction mythos even now.

He said: “We are like dwarfs sitting on the shoulders of giants. We see more, and things that are more distant, than they did, not because our sight is superior or because we are taller than they, but because they raise us up, and by their great stature add to ours.”

I do not believe that we have any particular need to prove ourselves in this genre of writing. We have an obligation, however to contribute to the creation of mythic ideas, both scientific and fictional, that our children can look at and say, I want to be a warrior of wisdom like Dillon, black mercenary soldier of fortune created by Derrick Ferguson. I want them to say, I want to be an explorer like Changa of Milton Davis’ Changa’s Safari. I want them to be able to say these things and have them impart the same meaning that it does when a kid says, I want to grow up and be Captain Kirk and you know what he means when he says it. No, not that part. The other part: the explorer, the traveler, the leader of men and women in an future we all hoped would come true, but at the moment doesn’t look promising.

We want to create myths, not just stories. We want to alter reality in a way that once done, no one can remember what went before. All they remember is, it was less than we have now.

Part of a series of essays on: The State of Black Science Fiction

Thaddeus Howze Atreides
@ebonstorm (twitter)
@ebonstorm@gmail.com
 

Check out the other members of this Online Black History Month Event

 

Winston Blakely, Artist/Writer— is a Fine Arts/Comic Book artist, having a career spanning 20 years, whose achievements have included working for Valiant Comics and Rich Buckler’s Visage Studios. He is also the creator of Little Miss Strange, the world’s firstblack alien sorceress and the all- genre anthology entitled – Immortal Fantasy.  Both graphic albums are available at Amazon, Barnes and Nobles and other online book store outlets. Visit him:   http://blakelyworks.blogspot.com/ or http://blakelyworkstudio.weebly.com/

 

L. M. Davis, Author–began her love affair with fantasy in the second grade.  Her first novel, Interlopers: A Shifters Novel, was released in 2010, and the follow-up Posers:  A Shifters Novel will be released this spring.  For more information visit her bloghttp://shiftersseries.wordpress.com/ or her website www.shiftersnovelseries.com.

Milton Davis, Author – Milton Davis is owner/publisher of MVmedia, LLC . As an author he specializes in science fiction and fantasy and is the author of Meji Book One, Meji Book Two and Changa’s Safari. Visit him: www.mvmediaatl.com andwww.wagadu.ning.com.

 

Margaret Fieland, Author— lives  and writes in the suburbs west of Boston, MA
with her partner and five dogs. She is one of the Poetic Muselings. Their poetry anthology, Lifelines http://tinyurl.com/LifelinesPoetry/is available from Amazon.com  Her book, “Relocated,” will be available from MuseItUp Publishing in July, 2012. The Angry Little Boy,” will be published by 4RV publishing in early 2013.  You may visit her website, http://www.margaretfieland.com.

 

Valjeanne Jeffers, Author — is an editor and the author of the SF/fantasy novels: Immortal, Immortal II: The Time of Legend and Immortal III: Stealer of Souls. Her fourth and fifth novels: Immortal IV: Collision of Worlds and The Switch: Clockwork will be released this spring. Visit her at: http://valjeanne.wordpress.com and http://qandvaffordableediting.blogspot.com/

 

Alicia McCalla, Author—writes for both young adults and adults with her brand of multicultural science fiction, urban fantasy, and futurism. Her debut novel, Breaking Free will be available February 1, 2012. The Breaking Free theme song created by Asante McCalla is available for immediate download on itunes and Amazon. Visit her at: www.aliciamccalla.com

 

Carole McDonnell, Author–She writes Christian, speculative fiction, and multicultural stories. Her first novel is Wind Follower. Her short fiction has appeared in many anthologies and have been collected in an ebook, Spirit Fruit: Collected Speculative Fiction.  Visit Carole: http://carolemcdonnell.blogspot.com/  or http://writersofcolorblogtour.blogspot.com/

 

Balogun Ojetade, Author—of the bestselling “Afrikan Martial Arts: Discovering the Warrior Within” (non-fiction), “Moses: TheChronicles of Harriet Tubman” (Steampunk) and the feature film, “A Single Link”. Visit him: http://chroniclesofharriet.wordpress.com/

 

Rasheedah Phillips, Author–is the creator of The AfroFuturist Affair in Philly. She plans to debut her first spec/sci-fic novel Recurrence Plot in Spring 2012. You may catch her ruminating from time to time on her blog, AstroMythoLosophy.com.

 

Nicole Sconiers, Author-is also a screenwriter living in the sunny jungle of L.A. She holds an MFA in creative writing from Antioch University Los Angeles, and she recently published Escape from Beckyville: Tales of Race, Hair and Rage.  Visit her:http://nicolesconiers.com/index.html 

 

Jarvis Sheffield, M.Ed. is owner & operator of TheDigitalBrothers.com, BlackScienceFictionSociety.com & BlackCommunityEntertainment.com. Visit him:  http://www.blacksciencefictionsociety.com/profiles/blog/list?user=2stjwb1h216fd

 

Thaddeus Howze, Author – is a veteran of the IT and Communications industry with over 26 years of experience retooling computers to best serve human needs. Unknown to humanity, our computers have another agenda. Thaddeus recently released his first collection of short stories, Hayward Reach. In a coded format, he has secretly informed Humanity of the impending computerized apocalypse. You can read parts of the code here: https://ebonstorm.wordpress.com or  http://ebonstorm.weebly.com